The Art of Partimento: History, Theory, and Practice

Author:   Giorgio Sanguinetti (Associate Professor of Music Theory, Associate Professor of Music Theory, University of Rome, Rome, Italy)
Publisher:   Oxford University Press Inc
ISBN:  

9780195394207


Pages:   420
Publication Date:   24 May 2012
Format:   Hardback
Availability:   To order   Availability explained
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The Art of Partimento: History, Theory, and Practice


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Overview

At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neapolitan art. Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer. The Art of the Partimento is also a complete practical handbook to reviving the tradition today. Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace.As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory. Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.

Full Product Details

Author:   Giorgio Sanguinetti (Associate Professor of Music Theory, Associate Professor of Music Theory, University of Rome, Rome, Italy)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 25.40cm , Height: 2.30cm , Length: 18.50cm
Weight:   0.798kg
ISBN:  

9780195394207


ISBN 10:   0195394208
Pages:   420
Publication Date:   24 May 2012
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Part One: History 1. Of Some Odd Musical Manuscripts 2. What are Partimenti? 3.The Partimento in Italy and in Naples 4. The Neapolitan Conservatori: an Historical Outline 5. Teaching Methods in the Conservatories of Naples 6. Partimento Sources: Transmission and Typology 7. A Genealogy of Masters Part Two: Theory 8. Partimento as Composition Theory 9. The Rules: a Synoptic View Part Three: Practice 10. Prelude to Realization 11. The Unfigured Partimento 12. The Art of Diminution 13. Imitation 14. Motivic Coherence 15. Authentic Realizations Part Four: A Guide to Realization 16. Lezione, Prelude, Modular Etude 17. Tutti/solo: Concerto and Toccata 18. Sonata 19. Fantasia, Variation, Dance 20. Imitative Genres 21. Fugue Epilogue List of Souces Bibliography Index.

Reviews

<br> I suspect AoP will generate much speculation and discussion regarding its theoretical, pedagogical, historical, and philosophical-aesthetic merits and implications. For this, and for its powerful practical application and Sanguinetti's unique and passionate approach to the subject-matter, it will become a watershed in the community of music theory and in studies <br>of eighteenth-century music more generally in the years to come. --Music Theory Online<p><br>


Giorgio Sanguinettis The art of partimento is a very impressive accomplishment, not only for its groundbreaking effort to sketch the history of this largely uncovered repertory, but also for the very useful list of sources on the companion website and for the beautiful linearity of many of his realizations in the third part of the book. This book will benefit not only keyboardists but also advanced players of the lute and theorbo, at least those who have acquired skills in playing without tablature. Sanguinettis monograph has the potential to enrich deeply the study of harmony, counterpoint and fugue, as it enables the reader to reconstruct a unique and historically founded synthesis between practical playing and theoretical learning, using teaching material from some of the most distinguished masters of the 18th century. Peter van Tour, Early Music This wonderful book explores the rules of this multifaceted compositional shorthand. Music Teacher Sanguinetti's book is a comprehensive and highly organized account of an exceedingly complex musical art. David Chapman, Notes


Author Information

Giorgio Sanguinetti is Associate Professor of Music Theory at the University of Rome - Tor Vergata.

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