Overview

Medieval falconry was not just about hunting; the practice also signified sovereignty, power, and diplomacy. In The Art of Medieval Falconry, Yannis Hadjinicolaou describes the visual culture that sprang up around these practices, tracking how imagery, equipment, and even the birds themselves moved through the medieval world. Indeed, Hadjinicolaou shows that falconry has been a global phenomenon since at least the thirteenth century. This beautifully illustrated book offers a unique glimpse at how cultures across the globe adopted and adapted the visual culture of medieval falconry.

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9781789149104

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Reviews

"""What an eye-opening book! With Hadjinicolaou we soar across vast expanses of time and space, to alight and linger on fecund boughs of medieval visual, material, and textual culture. From here we learn to see how tightly entwined the avian and human realms were. Able to survey the world from the heavens yet subject to human control, falcons did much more than help with noble hunts; they were vital instruments in the structuring of society, the fashioning of the self and the delimitation of what it was to be human.""-- ""Jacqueline Jung, Professor of History of Art, Yale University"" ""Falconry has fascinated mankind for centuries as a global, aristocratic pleasure. The Art of Medieval Falconry is vividly dedicated to the cultural history of this form of hunting in the Middle Ages. Yannis Hadjinicolaou delves into how falcons have served, and continue to serve, as diplomatic gifts worldwide, looks at their depictions documenting the making of courtly self-images, and explores why the birds of prey themselves can certainly be regarded as flying ambassadors of political iconography.""-- ""Uwe Fleckner, Professor of Art History, University of Hamburg, and Director of the Advanced School of Art and Humanities, China Academy of Art, Hangzhou"""

Author Information

Yannis Hadjinicolaou is assistant professor of art history at the University of Bonn. He is the author of Thinking Bodies-Shaping Hands: 'Handeling' in Art and Theory of the Late Rembrandtists.

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