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OverviewFull Product DetailsAuthor: David Walter LeinweberPublisher: Bloomsbury Publishing Plc Imprint: Lexington Books Dimensions: Width: 15.40cm , Height: 1.40cm , Length: 23.00cm Weight: 0.299kg ISBN: 9781793625212ISBN 10: 1793625212 Pages: 194 Publication Date: 11 May 2022 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface Introduction Chapter 1: The Voice: History’s First Musical Instrument Chapter 2: Early Musical Instruments Chapter 3: The Bow of Music Chapter 4: Music and Storytelling Chapter 5: Festivals and Parties Chapter 6: Church Music as an Heir of Ancient Music Epilogue: The Art of Ancient Music A Select BibliographyReviewsThe book's chief strength lies in its almost sociological approach; the author emphasizes culture, material culture especially, as a determinant of musical style and substance. * Choice Reviews * Interdisciplinary scholarship is critically important work, yet fraught with peril. That David Leinweber recognizes the significance of interdisciplinary scholarship is laudable, and the casual reader will find much of interest in this book. * Journal of The American Musical Instrument Society * David Leinweber has given us a thoroughly researched book in the best tradition of humanistic scholarship. He presents a clear and readable narrative describing the intertwined origins of music and musical instruments, poetry, and dance in the civilizations of antiquity. He then proceeds to show how ancient ideas about the arts found resonance in Western culture of the early Middle Ages that influenced future generations. The text is accessible to the college student beginning the study of music history, as well as the general reader who is interested in how ancient ideas of music and the arts remain relevant in the culture of today. -- Maria Archetto, Oxford College of Emory University In lucid and succinct language, Leinweber's fine study relates the development of music to a wide range of human endeavors. Accessible to students and general readers alike, this book traces the history of music from its beginnings to the medieval period in original and insightful ways. -- Clark Lemons, Emory University The book's chief strength lies in its almost sociological approach; the author emphasizes culture, material culture especially, as a determinant of musical style and substance. * Choice * Interdisciplinary scholarship is critically important work, yet fraught with peril. That David Leinweber recognizes the significance of interdisciplinary scholarship is laudable, and the casual reader will find much of interest in this book. * Journal of The American Musical Instrument Society * David Leinweber has given us a thoroughly researched book in the best tradition of humanistic scholarship. He presents a clear and readable narrative describing the intertwined origins of music and musical instruments, poetry, and dance in the civilizations of antiquity. He then proceeds to show how ancient ideas about the arts found resonance in Western culture of the early Middle Ages that influenced future generations. The text is accessible to the college student beginning the study of music history, as well as the general reader who is interested in how ancient ideas of music and the arts remain relevant in the culture of today. -- Maria Archetto, Oxford College of Emory University In lucid and succinct language, Leinweber's fine study relates the development of music to a wide range of human endeavors. Accessible to students and general readers alike, this book traces the history of music from its beginnings to the medieval period in original and insightful ways. -- Clark Lemons, Emory University Author InformationDavid Leinweber is associate professor of history at Oxford College of Emory University. Tab Content 6Author Website:Countries AvailableAll regions |
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