The Arden Research Handbook of Shakespeare and Adaptation

Author:   Diana E. Henderson (Massachusetts Institute of Technology, USA) ,  Dr Stephen O'Neill (Maynooth University, Ireland)
Publisher:   Bloomsbury Publishing PLC
Edition:   NIP
ISBN:  

9781350462168


Pages:   432
Publication Date:   02 May 2024
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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The Arden Research Handbook of Shakespeare and Adaptation


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Author:   Diana E. Henderson (Massachusetts Institute of Technology, USA) ,  Dr Stephen O'Neill (Maynooth University, Ireland)
Publisher:   Bloomsbury Publishing PLC
Imprint:   The Arden Shakespeare
Edition:   NIP
ISBN:  

9781350462168


ISBN 10:   1350462160
Pages:   432
Publication Date:   02 May 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Reviews

A treasure trove for those interested in the re-tellings of Shakespeare’s work. * Shakespeare Survey * Featuring a breath-taking array of examples and interventions, The Arden Research Handbook of Shakespeare and Adaptation is a stellar accomplishment. Embracing the full gamut of forms of adaptation, it ranges widely over theatre, poetry, film, fiction, television, and digital/media platforms, mapping a multiplicity of venues and celebrating the vitality of Shakespeare as a catalysing force. Context- and culture-specific, the case-studies offer a range of entry points into the field, whether through discussions of method, analyses of ideology, prioritisation of authorial voice or the ignition of global conversations. Crucially, as the intersecting chapters unfold, we are encouraged to participate in debate and reflect on Shakespeare’s past, present and future iterations. The generous provision of resources (sites and tools) is a particularly attractive feature. Above all, this is a Handbook that showcases the value of adaptation as practice and object of scholarly enquiry. As such, it is refreshing, revealing, and abundantly creative – indispensable. * Mark Thornton Burnett, Queen’s University Belfast, UK * This handbook reframes the subject of Shakespeare and Adaptation for a new generation of scholars. It combines what the editors call a “‘big tent’ vision of Shakespeare adaptation studies” with sharp focus on individual case studies, theoretical problems and themes that illuminate the range and vitality of Shakespeare-inspired adaptations. Leaving classificatory concerns behind, the volume focuses on work concerned with intermediality and appropriation, drawing additional critical energy from translation studies. This is a book that will inspire and guide a new generation of adaptation scholars interested in global challenges, social justice and how to do new things with Shakespeare. * Pascale Aebischer, University of Exeter, UK * The Arden Research Handbook of Shakespeare and Adaptation positions adaptation as fundamental to Shakespeare studies today and the lifeblood of its future, through its spotlighting and championing of the important research being carried out on Shakespeare adaptation across the world. This is an essential volume for anyone working on contemporary Shakespeare, and will no doubt remain a rewarding resource within the field for many years to come * Ben Broadribb, Shakespeare Bulletin, Vol. 41, no. 1 (Spring 2023) *


Author Information

Diana E. Henderson is the Arthur J. Conner Professor of Literature at MIT, USA. She teaches, publishes and edits widely in the fields of Shakespeare, media studies and early modern studies, and is a dramaturg, designer of online educational modules and documentary producer. Stephen O’Neill is Associate Professor in English and Shakespeare Studies at Maynooth University, Ireland. He has published widely on adapted Shakespeare, especially in digital cultures.

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