Overview

Before deserts spread like endless seas of sand. Before man learned to engrave the memory of his kings in stone. Long before rivers founded civilizations and calendars marked the passing of the seasons... there was a forgotten era, hidden in the cracks of time, so remote that it seems to belong to the realm of dreams: the year 33,333 BC. In that world, the Earth was different. The skies shone with constellations that seemed closer, and the veil of the cosmos was observed by eyes capable of deciphering its language. The first human societies still roamed as scattered tribes, building huts and domesticating games. However, in certain privileged enclaves, the sands held a secret: the arrival of the emissaries from the sky. They were not gods in the sense that priests would later invent, nor mere travelers of flesh and blood. They were cosmic architects, bearers of knowledge so vast that it seemed indistinguishable from magic. Their science was not limited to building, but to shaping the very energy of creation. In their hands burned the force of antimatter, a nucleus that was both dark and luminous, capable of lifting blocks of stone as if they were feathers, cutting rock with atomic precision, and lighting lamps that shone without fire. Their arrival changed the destiny of humanity forever. There, on the banks of the Nile, a select group of humans was instructed to receive, understand, and execute a project that transcended the limits of their time: the construction of immortal monuments, whose geometry would align with the stars of Orion and Sirius. Structures that would be, at once, energy machines, temples of resonance, and messages carved in stone for future civilizations. Thus was born the Brotherhood of Orion, made up of five figures whom official history would never remember by their real names: Aketón, master engineer, bearer of architectural vision. Nira, priestess and astronomer, interpreter of the sky and its mysteries. Kael, scientist and inventor, tamer of antimatter energy. Zarek, warrior and explorer, protector of the routes and the builders. Ishera, the chronicler and architect, guardian of the memory of the work. Together, guided by the emissaries, they embarked on a task that challenged not only the imagination of their time, but also our understanding: to erect the three pyramids of Giza and the stone guardian we call the Sphinx. Those structures would not be tombs, but cosmic codes in stone, keys destined to withstand catastrophes, solar storms, and even the oblivion of millennia. But the greatness of their undertaking was accompanied by dangers: the rebellion of those who sought to seize power, natural disasters capable of destroying their work, and the moral decisions of a Brotherhood that understood that knowledge, in the wrong hands, could destroy rather than enlighten. Thousands of years later, modern archaeologists excavate the sands and discuss theories. They talk about tombs, slaves, and pharaohs who wanted to defy death. However, the stones remain silent: no inscription explains their purpose, no hieroglyphic narrations how they were erected. As if the builders had wanted to remain silent. As if they hoped that one day, when humanity looked up at the stars again, it would understand what those gigantic forms were trying to convey.

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