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OverviewThis book examines the complex relationships that exist between anarchist theory and film. No longer hidden in obscure corners of cinematic culture, anarchy is a theme that has traversed arthouse, underground, and popular film. In The Anarchist Cinema, James Newton explores the notion that cinema is an inherently subversive space, establishes criteria for deeming a film anarchic, and examines the place of underground and DIY filmmaking within the wider context of the category. The author identifies subversive undercurrents in cinema and uses anarchist political theory as an interpretive framework to analyze filmmakers, genres, and the notion of cinema as an anarchic space. Full Product DetailsAuthor: James Newton (University of Kent, UK)Publisher: Intellect Books Imprint: Intellect Books Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.481kg ISBN: 9781789380033ISBN 10: 1789380030 Pages: 173 Publication Date: 12 April 2019 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsAcknowledgements Introduction: Anarchy, Anarchism and the Cinematic Context Chapter 1: Unruly Cinema Chapter 2: Jean Vigo and the Anarchist Film Chapter 3: Anarchy and Anarchism in the St Trinian's Movies Chapter 4: The Women in Prison Film and Anarchist Analysis Chapter 5: Anarchism, Activism and the Cinema Space Conclusion: The Anarchist Cinema and Beyond Filmography References IndexReviewsConfidently employing the definite article in the book title, the survey begins with the notion of the unruly, leading quickly to a succinct summary of anarchistic attitudes and tendencies as applied to the traditional objectives of subverting morals, good order and the institutions of state and church. The real discussion shifts between the three structural elements of the film industry - production, distribution/exhibition, and audience, examining the selected films that in whole or in part exhibit anarchist tendencies or traits admired by anarchists; cultish cinema of the 1930s and 50s predominates. --Leonardo Author InformationDr James Newton is a lecturer in media studies at the University of Kent and an independent filmmaker. Tab Content 6Author Website:Countries AvailableAll regions |