The Ahuman Manifesto: Activism for the End of the Anthropocene

Author:   Professor Patricia MacCormack (Anglia Ruskin University, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350081109


Pages:   224
Publication Date:   23 January 2020
Format:   Paperback
Availability:   In Print   Availability explained
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The Ahuman Manifesto: Activism for the End of the Anthropocene


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Overview

We are in the midst of a growing ecological crisis. Developing technologies and cultural interventions are throwing the status of “human” into question. It is against this context that Patricia McCormack delivers her expert justification for the “ahuman”. An alternative to “posthuman” thought, the term paves the way for thinking that doesn’t dissolve into nihilism and despair, but actively embraces issues like human extinction, vegan abolition, atheist occultism, death studies, a refusal of identity politics, deep ecology, and the apocalypse as an optimistic beginning. In order to suggest vitalistic, perhaps even optimistic, ways to negotiate some of the difficulties in thinking and acting in the world, this book explores five key contemporary themes: · Identity · Spirituality · Art · Death · The apocalypse Collapsing activism, artistic practice and affirmative ethics, while introducing some radical contemporary ideas and addressing specifically modern phenomena like death cults, intersectional identity politics and capitalist enslavement of human and nonhuman organisms to the point of ‘zombiedom’, The Ahuman Manifesto navigates the ways in which we must compose the human differently, specifically beyond nihilism and post- and trans-humanism and outside human privilege. This is so that we can actively think and live viscerally, with connectivity (actual not virtual), and with passion and grace, toward a new world.

Full Product Details

Author:   Professor Patricia MacCormack (Anglia Ruskin University, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Weight:   0.288kg
ISBN:  

9781350081109


ISBN 10:   1350081108
Pages:   224
Publication Date:   23 January 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

preface Introduction: The End as Affirmation Chapter 1: Wither Identity? Chapter 2: All Action is Art Chapter 3: Interregnum Chapter 4: Occulture: Secular Spirituality Chapter 5: Embracing Death Chapter 6: The Future in the Age of the Apocalypse bibliography index

Reviews

Patricia MacCormack goes relentessly beyond just deconstructing anthropocentrism and dismantling multispecies extinction caused by human dominance in the Anthropocene. The manifesto is not only theorizing, but com/passionately calling for direct abolitionist action for the other at the expense of the (human) self. Trembling with joyful energy and critically affirmative insights, this manifesto encourages us to engage in ahuman arts&activist practices, inspired by queer feminist (secular) spirituality), and death activism. * Nina Lykke, Professor of Gender Studies, Linkoeping University, Sweden * This beautiful book is both a passionate, insightful meditation on the world we actually live in, and a radical call to action. Is it even possible for us to stop being human, to let multiple beings flourish without reducing them to means for our own selfish ends? Reading this book, thinking with it and about it, and responding openly to it, is absolutely essential. * Steven Shaviro, DeRoy Professor of English, Wayne State University, USA *


Author Information

Patricia MacCormack is Professor of Continental Philosophy, Anglia Ruskin University, UK. She is the author of Cinesexuality (2008), Post-Human Ethics (2012) and editor of The Animal Catalyst (Bloomsbury, 2014), Deleuze and the Animal (2017) and the upcoming Ecophilosophical Aesthetics (Bloomsbury, 2018).

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