The Aesthetics of Loss: German Women's Art of the First World War

Author:   Claudia Siebrecht (Lecturer in Modern European History, University of Sussex)
Publisher:   Oxford University Press
ISBN:  

9780199656684


Pages:   210
Publication Date:   19 September 2013
Format:   Hardback
Availability:   To order   Availability explained
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The Aesthetics of Loss: German Women's Art of the First World War


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Overview

The Aesthetics of Loss is a cultural history of German women's art of the First World War that locates the artists' rich visual testimony in the context of the civilian experience of war and wartime loss. Drawing on a fascinating body of visual sources produced throughout the war years, Claudia Siebrecht examines the thematic evolution of women's art from expressions of support for the war effort to more nuanced and ambivalent testimonies of loss and grief. Many of the images are stark woodcuts, linocuts, and lithographs of great iconographical power that acted as narrative tools to deal with the novel, unsettling, and often traumatic experience of war. German female artists developed a unique aesthetic response to the conflict that both expressed emotional distress and allowed them to re-imagine the place of mourning women in wartime society. Historical codes of wartime behaviour and traditional rites of public mourning led female artists to redefine cultural practices of bereavement, question existing notions of heroic death and proud bereavement through art, and to place grief at the centre of women's war experiences. As a cultural, aesthetic, and thematic point of reference, German women's art of the First World War has had a fundamental influence on the European memory and understanding of modern war.

Full Product Details

Author:   Claudia Siebrecht (Lecturer in Modern European History, University of Sussex)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.20cm , Height: 1.90cm , Length: 24.00cm
Weight:   0.540kg
ISBN:  

9780199656684


ISBN 10:   0199656681
Pages:   210
Publication Date:   19 September 2013
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

a pioneering study ... esthetics of Loss identifies and underscores the vital importance of women's art to our greater understanding of the First World War, not least with regard to the manner and extent to which it established and asserted female agency, and how it developed a singular art that documented other experiences of war. Ann Murray, IHR Reviews in History fascinating and timely History Today The author's judicious examination of this imagery, based not only on the art itself but also on letters, diaries and a broad array of archival material, together with other primary and secondary sources, is a welcome addition to the literature of wartime visual culture. Marion F. Deshmukh, German History


a pioneering study ... esthetics of Loss identifies and underscores the vital importance of women's art to our greater understanding of the First World War, not least with regard to the manner and extent to which it established and asserted female agency, and how it developed a singular art that documented other experiences of war. Ann Murray, IHR Reviews in History


a pioneering study ... esthetics of Loss identifies and underscores the vital importance of women's art to our greater understanding of the First World War, not least with regard to the manner and extent to which it established and asserted female agency, and how it developed a singular art that documented other experiences of war. * Ann Murray, IHR Reviews in History * fascinating and timely * History Today * The author's judicious examination of this imagery, based not only on the art itself but also on letters, diaries and a broad array of archival material, together with other primary and secondary sources, is a welcome addition to the literature of wartime visual culture. * Marion F. Deshmukh, German History *


Author Information

Dr Claudia Siebrecht is a lecturer in modern European History at the University of Sussex.

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