Overview
Los textos dramáticos se compusieron para ser representados, no para ser leídos. Por supuesto que en primer lugar debe leer el texto de una obra para enterarse de qué se trata. Sin embargo para su representación sobre las tablas hay que recurrir a una lectura teatral. Este libro aplica esta aproximación a varias comedias del Siglo de Oro español.
Full Product Details
Author: Claudio Canaparo ,
Isaac Benabu
Publisher: Peter Lang International Academic Publishers
Imprint: Peter Lang International Academic Publishers
Edition: New edition
Volume: 79
Dimensions:
Width: 15.20cm
, Height: 0.90cm
, Length: 22.90cm
Weight: 0.240kg
ISBN: 9781788741675
ISBN 10: 1788741676
Pages: 168
Publication Date: 05 December 2018
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Language: Spanish
Reviews
«While Benabu could at times be accused of offering no more than close textual analysis rather than a radical new methodology, he does offer convincing readings of the plays that are sensitive to nuances associated with performance, and draws attention to often overlooked aspects, such as how deciphering or deciding where characters should be on stage (especially when the playwright has not mentioned it) can both affect and aid interpretation.» (Katie McErlain, Hispanic Research Journal, 20.1)
«While Benabu could at times be accused of offering no more than close textual analysis rather than a radical new methodology, he does offer convincing readings of the plays that are sensitive to nuances associated with performance, and draws attention to often overlooked aspects, such as how deciphering or deciding where characters should be on stage (especially when the playwright has not mentioned it) can both affect and aid interpretation.» (Katie McErlain, Hispanic Research Journal, 20.1) While Benabu could at times be accused of offering no more than close textual analysis rather than a radical new methodology, he does offer convincing readings of the plays that are sensitive to nuances associated with performance, and draws attention to often overlooked aspects, such as how deciphering or deciding where characters should be on stage (especially when the playwright has not mentioned it) can both affect and aid interpretation. (Katie McErlain, Hispanic Research Journal, 20.1)
While Benabu could at times be accused of offering no more than close textual analysis rather than a radical new methodology, he does offer convincing readings of the plays that are sensitive to nuances associated with performance, and draws attention to often overlooked aspects, such as how deciphering or deciding where characters should be on stage (especially when the playwright has not mentioned it) can both affect and aid interpretation. (Katie McErlain, Hispanic Research Journal, 20.1)
While Benabu could at times be accused of offering no more than close textual analysis rather than a radical new methodology, he does offer convincing readings of the plays that are sensitive to nuances associated with performance, and draws attention to often overlooked aspects, such as how deciphering or deciding where characters should be on stage (especially when the playwright has not mentioned it) can both affect and aid interpretation. (Katie McErlain, Hispanic Research Journal, 20.1)
Author Information
Isaac Benabu ocupa la cátedra de Estudios Teatrales en la Universidad Hebrea de Jerusalén.
