Overview

Focusing on 5 objects found in the main media at the time - ceramics, metalware, painting, architecture and textiles - Sheila S. Blair shows how artisans played with form, material and decoration to engage their audiences. She also shows how the reception of these objects has changed and that their present context has implications for our understanding of the past. Greater Iranian arts from the 10th to the 16th century are technically some of the finest produced anywhere. They are also intellectually engaging, showing the lively interaction between the verbal and the visual arts.

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9781474446327

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Reviews

Sheila Blair is an acknowledged world authority on epigraphy and this book is a scrutiny of five specific examples, arranged chronologically. - The Art Newspaper 'This splendid new book by one of the leading scholars of Islamic art manages that most difficult task-making a serious contribution to scholarship while being accessible to a wide range of readers and attractive to them. It is not a survey but five case studies: a 10th-century ceramic bowl, a 12th-century copper alloy rosewater sprinkler, a 14th-century tomb, a 15th-century manuscript painting, and a 16th-century carpet. Blair (Boston College; Virginia Commonwealth Univ.) beautifully describes and analyzes each in its immediate and its broadest historical context. Each object works like a pebble thrown into water, producing expanding circles of related objects, people involved in its manufacture and commission, and later works in its tradition or directly reflecting it in some way ... Individual chapters or the book as a whole would be suitable for use in college courses.' -- L. Nees, (University of Delaware) CHOICE Beautifully produced and extensively illustrated. -- D.H. KENNETT, British Brick Society Information

Sheila Blair is an acknowledged world authority on epigraphy and this book is a scrutiny of five specific examples, arranged chronologically. - The Art Newspaper 'This splendid new book by one of the leading scholars of Islamic art manages that most difficult task-making a serious contribution to scholarship while being accessible to a wide range of readers and attractive to them. It is not a survey but five case studies: a 10th-century ceramic bowl, a 12th-century copper alloy rosewater sprinkler, a 14th-century tomb, a 15th-century manuscript painting, and a 16th-century carpet. Blair (Boston College; Virginia Commonwealth Univ.) beautifully describes and analyzes each in its immediate and its broadest historical context. Each object works like a pebble thrown into water, producing expanding circles of related objects, people involved in its manufacture and commission, and later works in its tradition or directly reflecting it in some way ... Individual chapters or the book as a whole would be suitable for use in college courses.' -- L. Nees, (University of Delaware) CHOICE Sheila Blair is an acknowledged world authority on epigraphy and this book is a scrutiny of five specific examples, arranged chronologically. - The Art Newspaper 'This splendid new book by one of the leading scholars of Islamic art manages that most difficult task-making a serious contribution to scholarship while being accessible to a wide range of readers and attractive to them. It is not a survey but five case studies: a 10th-century ceramic bowl, a 12th-century copper alloy rosewater sprinkler, a 14th-century tomb, a 15th-century manuscript painting, and a 16th-century carpet. Blair (Boston College; Virginia Commonwealth Univ.) beautifully describes and analyzes each in its immediate and its broadest historical context. Each object works like a pebble thrown into water, producing expanding circles of related objects, people involved in its manufacture and commission, and later works in its tradition or directly reflecting it in some way ... Individual chapters or the book as a whole would be suitable for use in college courses.' -- L. Nees, (University of Delaware) CHOICE

Sheila Blair is an acknowledged world authority on epigraphy and this book is a scrutiny of five specific examples, arranged chronologically. - The Art Newspaper 'This splendid new book by one of the leading scholars of Islamic art manages that most difficult task-making a serious contribution to scholarship while being accessible to a wide range of readers and attractive to them. It is not a survey but five case studies: a 10th-century ceramic bowl, a 12th-century copper alloy rosewater sprinkler, a 14th-century tomb, a 15th-century manuscript painting, and a 16th-century carpet. Blair (Boston College; Virginia Commonwealth Univ.) beautifully describes and analyzes each in its immediate and its broadest historical context. Each object works like a pebble thrown into water, producing expanding circles of related objects, people involved in its manufacture and commission, and later works in its tradition or directly reflecting it in some way ... Individual chapters or the book as a whole would be suitable for use in college courses.' -- L. Nees, (University of Delaware) CHOICE Beautifully produced and extensively illustrated. -- D.H. KENNETT, British Brick Society Information

Author Information

Sheila S. Blair is Norma Jean Calderwood Chair of Islamic and Asian Art at Boston College and Hamad bin Khalifa Endowed Chair of Islamic Art, Virginia Commonwealth University.

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