Full Product Details
Author: M. Hyvärinen ,
L. Muszynski
Publisher: Palgrave Macmillan
Imprint: Palgrave Macmillan
Dimensions:
Width: 14.00cm
, Height: 1.50cm
, Length: 21.60cm
Weight: 0.465kg
ISBN: 9780230606715
ISBN 10: 0230606717
Pages: 252
Publication Date: 19 September 2008
Audience:
College/higher education
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: Out of stock
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Reviews
Terror and the Arts vividly explores the fractures and paradoxes of contemporary politics from the viewpoint of aesthetic experience. Be it visual, literary, poetic or musical, art allows us an insight into the terrorized present that can perhaps help in framing it differently, criticizing and avoiding the automatic response of aggression and retaliation. Whoever thinks that the present confronts us with the need to re-think and re-name contemporary violence must read this challenging collection of essays. --Adriana Cavarero, author of Horrorism: Naming Contemporary Violence Terror mobilizes the arts, visual and narrative, as well as their scholarly study. Not only, as can be expected, for the struggle against terrorism or for working through the trauma. In surveying the spaces between general human response to terror and defined political engagement, the insightful and often controversial chapters of this volume also raise more disconcerting questions: about complexities of judgment in the artistic processing of terror, about the possible competition between the arts and the acts that raise the threshold for subversion and shock, about the ways in which the arts can slide or be coerced into normalizing terror or furthering the issues promoted by terrorist groups or regimes, about the arts' entrapment in the cultural circulation under the sign of terror, and about the ways in which the arts, politicized by terror, inevitably implicate their audience. The book opens new intellectual vistas, rejecting comfortable attitudes. --Leona Toker, Professor of English, The Hebrew University of Jerusalem How can cataclysmic traumas such as 9/11 or appalling spectacles such as Abu Ghraib be made the objects of art, and what political value might they have? By 'reading the arts politically, ' Terror and the Arts demonstrates with great clarity and insight the vitally important role of the arts in imaginatively 'working through' the unspeakable violence o
<p> “Terror and the Arts vividly explores the fractures and paradoxes of contemporary politics from the viewpoint of aesthetic experience. Be it visual, literary, poetic or musical, art allows us an insight into the terrorized present that can perhaps help in framing it differently, criticizing and avoiding the automatic response of aggression and retaliation. Whoever thinks that the present confronts us with the need to re-think and re-name contemporary violence must read this challenging collection of essays.”--Adriana Cavarero, author of Horrorism: Naming Contemporary Violence <p> <p>“Terror mobilizes the arts, visual and narrative, as well as their scholarly study. Not only, as can be expected, for the struggle against terrorism or for working through the trauma. In surveying the spaces between general human response to terror and defined political engagement, the insightful and often controversial chapters of this volume also raise more disconcerting que
<p> Terror and the Arts vividly explores the fractures and paradoxes of contemporary politics from the viewpoint of aesthetic experience. Be it visual, literary, poetic or musical, art allows us an insight into the terrorized present that can perhaps help in framing it differently, criticizing and avoiding the automatic response of aggression and retaliation. Whoever thinks that the present confronts us with the need to re-think and re-name contemporary violence must read this challenging collection of essays. --Adriana Cavarero, author of Horrorism: Naming Contemporary Violence <p> <p> Terror mobilizes the arts, visual and narrative, as well as their scholarly study. Not only, as can be expected, for the struggle against terrorism or for working through the trauma. In surveying the spaces between general human response to terror and defined political engagement, the insightful and often controversial chapters of this volume also raise more disconcerting questions: about complexities of judgment in the artistic processing of terror, about the possible competition between the arts and the acts that raise the threshold for subversion and shock, about the ways in which the arts can slide or be coerced into normalizing terror or furthering the issues promoted by terrorist groups or regimes, about the arts' entrapment in the cultural circulation under the sign of terror, and about the ways in which the arts, politicized by terror, inevitably implicate their audience. The book opens new intellectual vistas, rejecting comfortable attitudes. --Leona Toker, Professor of English, The Hebrew University of Jerusalem <p> How can cataclysmic traumas such as 9/11 or appalling spectacles such as Abu Ghraib be made the objects of art, and what political value might they have? By 'reading the arts politically, ' Terror and the Arts demonstrates with great clarity and insight the vitally important role of the arts in imaginatively 'working through' the unspeakable violence o
Terror and the Arts vividly explores the fractures and paradoxes of contemporary politics from the viewpoint of aesthetic experience. Be it visual, literary, poetic or musical, art allows us an insight into the terrorized present that can perhaps help in framing it differently, criticizing and avoiding the automatic response of aggression and retaliation. Whoever thinks that the present confronts us with the need to re-think and re-name contemporary violence must read this challenging collection of essays. --Adriana Cavarero, author of Horrorism: Naming Contemporary Violence Terror mobilizes the arts, visual and narrative, as well as their scholarly study. Not only, as can be expected, for the struggle against terrorism or for working through the trauma. In surveying the spaces between general human response to terror and defined political engagement, the insightful and often controversial chapters of this volume also raise more disconcerting questions: about complexities of judgment in the artistic processing of terror, about the possible competition between the arts and the acts that raise the threshold for subversion and shock, about the ways in which the arts can slide or be coerced into normalizing terror or furthering the issues promoted by terrorist groups or regimes, about the arts' entrapment in the cultural circulation under the sign of terror, and about the ways in which the arts, politicized by terror, inevitably implicate their audience. The book opens new intellectual vistas, rejecting comfortable attitudes. --Leona Toker, Professor of English, The Hebrew University of Jerusalem How can cataclysmic traumas such as 9/11 or appalling spectacles such as Abu Ghraib bemade the objects of art, and what political value might they have? By 'reading the arts politically, ' Terror and the Arts demonstrates with great clarity and insight the vitally important role of the arts in imaginatively 'working through' the unspeakable violence of our age. --Mark Freeman, College of the Holy Cross and author of Rewriting the Self
Author Information
MATTI HYVÄRINEN is an Academy of Finland Research Fellow, Department of Sociology and Social Psychology, University of Tampere, Finland. LISA MUSZYNSKI is a doctoral candidate in the Department of Social Science History, University of Helsinki, Finland and an associate member of the Politics and the Arts research team at the Finnish Centre of Excellence in Political Thought and Conceptual Change.
