Overview

Tell Me a Story Where the Bad Girl Wins doubles as an official biography and coffee table art collection honoring the life and art of pioneering cartoonist Barbara Shermund, an unheralded early master of magazine cartooning whose career spanned the heyday of American magazines from the 1920s-1960s. Her sharp wit and loose style boldly tapped the zeitgeist of first-wave feminism with vivid characters that were alive and astute. Shermund's women spoke their minds about sex, marriage, and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so. Shermund left behind a body of work that was ahead of its time and remains insightful, witty, relevant, and contemporary. As one of the first women cartoonists to work for The New Yorker the year of its launch in 1925, she created nine covers and more than 600 cartoons for the magazine, in addition to countless spot illustrations, giving the nascent publication its unique visual brand. Shermund later became a mainstay at Esquire; contributed to Life, Colliers, Judge, and more; had a syndicated newspaper cartoon published by King Features; and illustrated a variety of books. In 1950, Shermund was among the first three women to be accepted as a member of the male-dominated National Cartoonist Society. A compelling facet of Shermund's work is her frequent nods to queer audiences, which appeared in her work more than that of any of her contemporary New Yorker cartoonists. There are indications in her personal files that she also may have been queer, including love letters and other personal archives that McGurk has unearthed. Readers will discover Shermund's unique and vibrant life and art and gain an understanding of how women's place in the history of cartooning has been controlled and sublimated by greater societal and cultural allowances. Through close readings, archival research, reproductions of original art, correspondence and photographs, this volume uncovers and celebrates a trailblazing female magazine cartoonist, and rightfully places her in the canon of cartoon art history.

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Reviews

This exhaustively researched and illustrated tribute outlines the liberated life of Barbara Shermund, a free spirit who mercilessly sketched the grandes dames and dumb blondes of the milieu she inhabited but to which she refused to conform. It allows the prolific Shermund to take her place alongside Helen Hokinson, Mary Petty, and the other magnificent star women artists who shaped the early days of the magazine one hundred years ago.--Fran�oise Mouly, art editor, The New Yorker Her work--brash, sexy, and above all, funny--remains an inspiration even today. Barbara Shermund, in her diabolically dainty little heels, danced so that we could run.--New Yorker cartoonist Emily Flake, from her introduction

Her work--brash, sexy, and above all, funny--remains an inspiration even today. Barbara Shermund, in her diabolically dainty little heels, danced so that we could run.--New Yorker cartoonist Emily Flake, from her introduction

Combining the best elements of biography with coffee table chic, this title will ensure Barbara Shermund's contributions to cartoons and culture are not forgotten again.-- ""Columbus Underground"" Shermund's story is entertaining and inspiring throughout, with a wonderful bounty of her work, including her cartoons, covers and sketches that give insight into her creative process and her independent spirit.-- ""AIPT Comics"" This exhaustively researched and illustrated tribute outlines the liberated life of Barbara Shermund, a free spirit who mercilessly sketched the grandes dames and dumb blondes of the milieu she inhabited but to which she refused to conform. It allows the prolific Shermund to take her place alongside Helen Hokinson, Mary Petty, and the other magnificent star women artists who shaped the early days of the magazine one hundred years ago.--Françoise Mouly, art editor, The New Yorker Her work--brash, sexy, and above all, funny--remains an inspiration even today. Barbara Shermund, in her diabolically dainty little heels, danced so that we could run.--New Yorker cartoonist Emily Flake, from her introduction In the deeply researched, beautifully written Tell Me a Story Where the Bad Girl Wins, Billy Ireland's curator of comics and cartoon art shines more light on a once-forgotten artist.-- ""Matter News""

Author Information

Caitlin McGurk is the Curator of Comics and Cartoon Art at the Billy Ireland Cartoon Library & Museum and Associate Professor at The Ohio State University. McGurk's scholarship and exhibitions center around the work of women in comics, alternative and underground comics, and early American comic strips. She lives in an old house in Columbus, Ohio. Emily Flake is an American cartoonist and illustrator. Her work has appeared in The New Yorker, The New York Times, Mad Magazine, Time, and many other publications. She also writes a bi-weekly cartoon for The Nib and her weekly comic strip Lulu Eightball appeared in numerous alternative newsweeklies in the early 2000s.

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