Full Product Details
Author: Timothy Murray
Publisher: University of Minnesota Press
Imprint: University of Minnesota Press
Dimensions:
Width: 14.00cm
, Height: 3.80cm
, Length: 21.60cm
ISBN: 9781517912864
ISBN 10: 1517912865
Pages: 272
Publication Date: 22 February 2022
Audience:
General/trade
,
Professional and scholarly
,
General
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Temporarily unavailable
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Reviews
In this moment when quarantines, lockdowns, masking, and social distancing regulations put a premium on the haptic, Timothy Murray's book showcases the aesthetic exuberance and technical mastery of cutting-edge media artists who touch us through our screens. Tactical as well as tactile, touch, for Murray, is both active and activist--feminist, queer, anti-racist, anti-colonial, and anti-capitalist. Drawing from decades of theorizing, critiquing, researching, curating, and archiving at the intersection of the digital and the performative, Murray argues for the essential significance of the improvisational turn from Hong Kong, Singapore, Taiwan, South Korea, the Philippines, India, Palestine, Australia, Bolivia, and Ghana to New York and far beyond. Murray introduces us to a world of media artists to embrace... if only virtually. --Gina Marchetti, author of Citing China: Politics, Postmodernism, and World Cinema In Technics Improvised, Timothy Murray brings together, revises, and remediates previously published essays, improvising an epistemological reading of five decades of what he terms new media art's 'incorporeal materiality.' The first-person perspective Murray brings to his subject matter is invaluable: it reflects his participation-observation in the archive that he dis/assembles, his activating work against the enclosure of 'new media' as historical object. --Amy Sara Carroll, author of REMEX: Toward an Art History of the NAFTA Era
""In this moment when quarantines, lockdowns, masking, and social distancing regulations put a premium on the haptic, Timothy Murray’s book showcases the aesthetic exuberance and technical mastery of cutting-edge media artists who touch us through our screens. Tactical as well as tactile, touch, for Murray, is both active and activist-feminist, queer, anti-racist, anti-colonial, and anti-capitalist. Drawing from decades of theorizing, critiquing, researching, curating, and archiving at the intersection of the digital and the performative, Murray argues for the essential significance of the improvisational turn from Hong Kong, Singapore, Taiwan, South Korea, the Philippines, India, Palestine, Australia, Bolivia, and Ghana to New York and far beyond. Murray introduces us to a world of media artists to embrace… if only virtually."" -Gina Marchetti, author of Citing China: Politics, Postmodernism, and World Cinema ""In Technics Improvised, Timothy Murray brings together, revises, and remediates previously published essays, improvising an epistemological reading of five decades of what he terms new media art’s ‘incorporeal materiality.’ The first-person perspective Murray brings to his subject matter is invaluable: it reflects his participation-observation in the archive that he dis/assembles, his activating work against the enclosure of ‘new media’ as historical object."" -Amy Sara Carroll, author of REMEX: Toward an Art History of the NAFTA Era ""Murray uses his book to introduce artists working in digital and electronic media and traces their struggle against the government surveillance and corporate culture that control digital tools."" -Cornell Chronicle
Author Information
Timothy Murray is director of the Cornell Council for the Arts, professor of comparative literature and English, and curator of the Rose Goldsen Archive of New Media Art at Cornell University. His numerous books include Digital Baroque: New Media Art and Cinematic Folds (Minnesota, 2008).
