Overview
From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, duCille traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, Technicolored offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination.
Full Product Details
Author: Ann duCille
Publisher: Duke University Press
Imprint: Duke University Press
Weight: 0.499kg
ISBN: 9781478000488
ISBN 10: 1478000481
Pages: 352
Publication Date: 14 September 2018
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
Ann duCille offers an eloquent analysis of the relationship between representations of people of color and their absence in television from the 1950s to the present. She skillfully blends her comprehensive, historically grounded research with personal memories and her present connection to television. . . . Recommended. Lower-division undergraduates through faculty. -- K. Sorensen * Choice *
In her book Technicolored, Ann duCille deftly blends memoir and television criticism to create an important critical intervention into the study of race and media. -- Jacqueline Johnson * Film Quarterly * Ann duCille offers an eloquent analysis of the relationship between representations of people of color and their absence in television from the 1950s to the present. She skillfully blends her comprehensive, historically grounded research with personal memories and her present connection to television. . . . Recommended. Lower-division undergraduates through faculty. -- K. Sorensen * Choice *
Author Information
Ann duCille is Emerita Professor of English at Wesleyan University and author of Skin Trade and The Coupling Convention: Sex, Text, and Tradition in Black Women's Fiction.
