Tavares Strachan: The Day Tomorrow Began

Author:   Tavares Strachan ,  Diana Nawi ,  Asfa-Wossen Asserate ,  Paul M. Farber
Publisher:   Distributed Art Publishers
ISBN:  

9781636811765


Pages:   256
Publication Date:   11 June 2026
Format:   Hardback
Availability:   In Print   Availability explained
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Tavares Strachan: The Day Tomorrow Began


Overview

A deep dive into the life and practice of the conceptual artist creating work that is ""always encyclopedic, engrossing, disconcerting and engaging"" —the Guardian Published with Los Angeles County Museum of Art. Lushly packaged in burgundy leatherette with foil stamping and a ribbon marker, The Day Tomorrow Began unites new and old works by the Bahamanian conceptual artist Tavares Strachan (born 1979), whose practice spans sculpture, painting, text, music and performance in order to probe the intersections of art, science and politics. The book features images from exhibitions in which the artist has transformed gallery rooms into immersive multisensory environments—such as a field of rice grass populated with ceramic figures—alongside reproductions of new monumental sculptures. Interviews with figures from Strachan's life—including his mother, Ella Strachan, and his friend Christina ""Muffin"" Fernander—illuminate his background and bring to life key themes in his work, particularly the absences enshrined in mainstream historical narratives.

Full Product Details

Author:   Tavares Strachan ,  Diana Nawi ,  Asfa-Wossen Asserate ,  Paul M. Farber
Publisher:   Distributed Art Publishers
Imprint:   DelMonico Books/D.A.P.
ISBN:  

9781636811765


ISBN 10:   1636811760
Pages:   256
Publication Date:   11 June 2026
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Strachan’s exhibition suggests the ephemeral nature of the ideas that are rendered in marble and bronze. Monuments may be designed to be permanent, but they can be turned inside out and upside down by us and by the course of history. And old deceptions can be made to reveal new truths. -- Carolina A. Miranda * The New York Review of Books *


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