Tattooed History: The Story of Mokomokai
Author:   Robert Kirkwood Paterson
Publisher:   Five Continents Editions
ISBN:  

9788874399659


Pages:   180
Publication Date:   09 August 2021
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Tattooed History: The Story of Mokomokai


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Author:   Robert Kirkwood Paterson
Publisher:   Five Continents Editions
Imprint:   Five Continents Editions
Weight:   0.682kg
ISBN:  

9788874399659


ISBN 10:   8874399650
Pages:   180
Publication Date:   09 August 2021
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgements Introduction The First Written Accounts A Question of Language: from Mokomokai and Mokamokai to Toi Moko Colonial Commodities: Trafficking in Mokomokai, from 1770 to 1840 Exhibiting Mokomokai for Profit in Early Nineteenth-Century Britain Mokomokai at British Auctions: 1820 to 1988 Mokomokai in New Zealand from 1840 to 1975 Horatio Gordon Robley: the “Soldier With A Pencil” Mokomokai and the Last Major British Collectors Carved “Memorial” or “Trespass” Heads: Mata Rahui Mokomokai and the Law of Human Remains The Repatriation of Toi Moko to the Museum of New Zealand Te Papa Tongarewa Documentary Appendices Maori Glossary Selected Bibliography

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This article draws on the broader study by this author on the history of Maori mokomokai titled: Tattooed History: The Story of Mokomokai.


Author Information

Robert K. Paterson is a professor emeritus of law at the University of British Columbia, in Vancouver, Canada. He obtained his law degree in New Zealand and then completed a JSM at Stanford Law School in California. He has written extensively in the area of cultural property and art law, including co-authoring Cultural Law: International, Comparative, and Indigenous (Cambridge, 2010). He was rapporteur of the Cultural Heritage Law Committee of the International Law Association, of which he remains a member. He is also a member of the editorial board of the International Journal of Cultural Property and the director’s advisory council of the University of British Columbia Museum of Anthropology.

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