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OverviewFull Product DetailsAuthor: Heidi Wilkins (Journalist and Independent Scholar)Publisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 2.00cm , Length: 23.40cm Weight: 0.482kg ISBN: 9781474406895ISBN 10: 1474406890 Pages: 216 Publication Date: 19 February 2016 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgmentsIntroductionChapter One: Talking Back: Voice in Screwball ComedyChapter Two: All That Jazz: The Diegetic Soundtrack in MelodramaChapter Three: The Alienated Male: Silence and the Soundtrack in New HollywoodChapter Four: Brothers in Arms: Masculinity and the Vietnam War MovieChapter Five: Subversive Sound: Gender, Technology and the Science Fiction BlockbusterChapter Six: Girl Talk: The Postmodern Female Voice in Chick FlicksConclusionBibliographyReviewsHeidi Wilkins book provides a welcome contribution to film/sound studies. The neglected issue of gender in relation to film sound in American mainstream cinema is well explored and vividly discussded. This book should appeal to a wide variety of readers. The writing is fluent and thoughtful throughout. -- Stephen Deutsch, Bournemouth University Heidi Wilkins book provides a welcome contribution to film/sound studies. The neglected issue of gender in relation to film sound in American mainstream cinema is well explored and vividly discussded. This book should appeal to a wide variety of readers. The writing is fluent and thoughtful throughout. -- Stephen Deutsch, Bournemouth University Author InformationHeidi Wilkins is a journalist and independent scholar. She has taught film studies at the University of Essex and has published several articles about film sound and gender in contemporary American cinema. Tab Content 6Author Website:Countries AvailableAll regions |
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