Overview

The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound music, voice, sound effects and silence is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.

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9781474425902

Table of Contents

Reviews

Heidi Wilkins book provides a welcome contribution to film/sound studies. The neglected issue of gender in relation to film sound in American mainstream cinema is well explored and vividly discussded. This book should appeal to a wide variety of readers. The writing is fluent and thoughtful throughout. -- Stephen Deutsch, Bournemouth University

Heidi Wilkins book provides a welcome contribution to film/sound studies. The neglected issue of gender in relation to film sound in American mainstream cinema is well explored and vividly discussded. This book should appeal to a wide variety of readers. The writing is fluent and thoughtful throughout. -- Stephen Deutsch, Bournemouth University

Author Information

Heidi Wilkins is a journalist and independent scholar. She has taught film studies at the University of Essex and has published several articles about film sound and gender in contemporary American cinema.

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