Overview
The exciting adventures of Filipino entertainer Luis Borromeo and the Javanese Miss Riboet, in vaudeville and Malay opera respectively, tell an important story of Southeast Asia's 1920s Jazz Age. Borromeo and Riboet were leading figures in the development of a localised hybrid popular culture, surrounded by the elusive phenomena of modernity, cosmopolitanism and nationalism. These two artists are exemplary of the pioneering cultural brokers of the time, who connected the arts, tradition and modernity, the foreign and the local, becoming the first stars of a new popular culture. Audiences seized this popular culture—situated somewhere between high art and banal entertainment—to channel emancipatory activities, to articulate social critique and to propagate an inclusive nationalism without being radically anti-colonial. By the early 1930s, this social potency was lost due to political polarization, an exclusive nationalism and a global economic crisis, ending years of cultural renaissance. Leaning on cultural studies and the work on cosmopolitanism and modernity by Henry Jenkins and Joel Kahn, popular culture is critically examined here as a contradictory social phenomenon. As Southeast Asia's urban multi-ethnic middle-classes emerged as both consumers and producers of a new in-between culture, the book challenges notions of Southeast Asia's popular culture as low brow entertainment created by elites and commerce to manipulate the masses.
Full Product Details
Author: Peter Keppy
Publisher: NUS Press
Imprint: NUS Press
Weight: 0.424kg
ISBN: 9789813250512
ISBN 10: 9813250518
Pages: 336
Publication Date: 31 October 2019
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
...a scientific, well-researched study...Peter Keppy has written a particularly interesting book about the role of popular culture in two countries. The influence of western and contemporary pop culture - as is evident from this study - played a much greater role in building local national consciousness than was previously assumed. An emancipating, identity-giving and therefore also political role. It unmistakably shows what the power of music consists of and how it can contribute to broad changes with great significance. -- (05/11/2019)
Author Information
Fascinated with the peoples, cultures, politics and history of Southeast Asia, Peter Keppy has been studying Indonesia, Malaysia and the Philippines since the 1990s.
