Overview

The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom--an ""aesthetic liberalism""--not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter.Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner.

Full Product Details

9780691161198

Table of Contents

Reviews

Ambitious and groundbreaking, Tact offers a fresh approach to a too little studied nineteenth-century genre. Russell presents the essay as a form that wants to teach us how and when to handle concepts, things, and people-and how and when to keep our hands to ourselves. In the process, he shows how Victorian nonfiction prose anticipates some of the twentieth century's most innovative theories of psyche and society. -David Kurnick, author of Empty Houses: Theatrical Failure and the Novel Russell's impressive book is a beautifully written meditation on the interrelation of the essay form and the concept and practice of tact in British culture, beginning with the romantic era and extending up through the postwar period. Tact is a true pleasure to read and will appeal to specialists and nonspecialists alike. -Amanda Anderson, author of The Way We Argue Now: A Study in the Cultures of Theory David Russell has written a book of great insight and feeling that does much to improve our understanding of ethos, empathy, and equanimity. In language that is poetic and analytical, Russell describes the essential contract that we must follow if we are to survive our ancient urge to destroy, one that enjoins us to create and imagine with care-and tact. -Hilton Als, winner of the Pulitzer Prize for Criticism A vital experiment in criticism, unlike any I know concerning nineteenth-century prose. David Russell's handling of the essay form, its aesthetics, politics, and history, is continually stimulating. -Andrew H. Miller, author of The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature This is a momentous book. Tact, with its derivation from touch, becomes, for Russell, the art of feeling one's way, an aesthetic, ethical, and political praxis that enables him to reclaim the essay as the core form, democratic and egalitarian, of nineteenth-century culture. Moving from Lamb, through Mill, Arnold, Eliot, and Pater, to the twentieth-century incarnation of tact in the work of Marion Milner, Russell challenges our reading of major figures. -Isobel Armstrong, author of Novel Politics: Democratic Imaginations in Nineteenth-Century Fiction

Author Information

David Russell is associate professor of English at the University of Oxford and a tutorial fellow of Corpus Christi College.

Tab Content 6

Countries Available