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9781108425216

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'It's remarkable for its depth of knowledge of Eliot's work, in prose and in poetry (a pre-condition for such a book one might suppose but often less evident than in this case) as well as of her other sources. Sarah Kennedy draws selectively but astonishingly widely on her predecessors (paying due tribute) but her book stands out also for its penetration into the imaginative workings of Eliot the creative artist.' Chris Joyce, Exchanges (Newsletter of the T. S. Eliot Society)

'It's remarkable for its depth of knowledge of Eliot's work, in prose and in poetry (a pre-condition for such a book one might suppose but often less evident than in this case) as well as of her other sources. Sarah Kennedy draws selectively but astonishingly widely on her predecessors (paying due tribute) but her book stands out also for its penetration into the imaginative workings of Eliot the creative artist.' Chris Joyce, Exchanges (Newsletter of the T. S. Eliot Society) 'It's remarkable for its depth of knowledge of Eliot's work, in prose and in poetry (a pre-condition for such a book one might suppose but often less evident than in this case) as well as of her other sources. Sarah Kennedy draws selectively but astonishingly widely on her predecessors (paying due tribute) but her book stands out also for its penetration into the imaginative workings of Eliot the creative artist.' Chris Joyce, Exchanges (Newsletter of the T. S. Eliot Society)

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Sarah Kennedy is a Fellow in English at Downing College, University of Cambridge. She gave the 2016 T. S. Eliot Lecture on 'Eliot's Ghost Women', and contributed a chapter on 'Ash-Wednesday and the Ariel Poems' to the New Cambridge Companion to T. S. Eliot, (Cambridge, 2016).

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