Overview

Widely regarded as the rock star of American poetry, Mary Oliver is a writer whose words have long had the power to move countless readers. Regularly topping the national poetry best-seller list and drawing thousands to her sold-out readings across the coutnry, Oliver is unparalleled in her impact. As noted in the Los Angeles Times, so many go to her for solace, regeneration and inspiration that it is not surprising Vice President Joe Biden chose to read one of her poems during the 9/11 remembrance at Ground Zero. Few poets express the complexities of human experience as skillfully as Mary Oliver. This volume, Oliver's twenty-first book of poetry, contains all new poems on her classic themes. Here, readers will find the deep spiritual sustenance that imbues her writing on nature, love, mortality, and grief. As always, Oliver is an accomplished guide to the rarest and most exquisite insights of the natural world.

Full Product Details

9780807069141

Table of Contents

Reviews

Praise for Mary Oliver ""She is, far and away, this country's best selling poet."" —Dwight Garner, New York Times Book Review ""You can pick up pretty much any Mary Oliver collection and be thrilled, but Swan...is so piercing and penetrating that form seems to fall away, an unnecessary stage for the rocket."" —Brian Doyle, Christian Century ""Oliver reminds us of the mystery and necessity of poetry, whose source is, ultimately, the Creator."" —Angela O'Donnell, America “One of the astonishing aspects of Oliver’s work is the consistency of tone over this long period [of her career]. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.”—Stephen Dobyns, New York Times Book Review    “Mary Oliver’s poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations.”—Stanley Kunitz     “Mary Oliver’s poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight.”—May Swenson   “Like Henry David Thoreau of Transcendentalist fame she is a naturalist whose attention to what used to be called the Book of Nature borders on both devotion and experimentation. . . . Mindfulness seems to be Oliver’s métier, looking and listening her scientific method and contemplative practice.”—Stephen Prothero, Search    “I should be clear that Mary Oliver is, to my mind, one of the most gifted American poets working in English today. In her hands, the language acquires a lucidity approaching translucence; the accuracy of her vision and the precision of her voice are unique in their refreshing simplicity. Perhaps most singular is the tendency of her poems to be at once powerful and appealing; an affection for the natural world and a sympathy toward the reader abide.” —Katherine Hollander, Pleiades   “This year the Top 5 [Indiebound poetry best sellers] can be summed up in six words: Mary Oliver, Mary Oliver, Mary Oliver. Oliver’s impressive feat reflects both an enduring popularity and an unparalleled ability to touch readers on a deep, almost primal level.”—Elizabeth Lund, Christian Science Monitor “Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing.”—Alicia Ostriker, The Nation   “One would have to reach back perhaps to [John] Clare or [Christopher] Smart to safely cite a parallel to Oliver’s lyricism.”—David Barber, Poetry    “The music in Oliver’s writing is unmistakable. Her poetry can be read as the best of the real lyrics we have these days, and it’s no surprise that she’s already won a Pulitzer Prize for it, as well as many other honors.”—Los Angeles Times

<p>Praise for Mary Oliver <br> She is, far and away, this country's best selling poet. --Dwight Garner, New York Times Book Review<br> <br> You can pick up pretty much any Mary Oliver collection and be thrilled, but Swan...is so piercing and penetrating that form seems to fall away, an unnecessary stage for the rocket. --Brian Doyle, Christian Century <br> Oliver reminds us of the mystery and necessity of poetry, whose source is, ultimately, the Creator. --Angela O'Donnell, America <br> One of the astonishing aspects of Oliver's work is the consistency of tone over this long period [of her career]. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward. --Stephen Dobyns, New York Times Book Review <br> Mary Oliver's poetry is fine and deep; it r

Praise for Mary Oliver She is, far and away, this country's best selling poet. Dwight Garner, New York Times Book Review You can pick up pretty much any Mary Oliver collection and be thrilled, but Swan...is so piercing and penetrating that form seems to fall away, an unnecessary stage for the rocket. Brian Doyle, Christian Century Oliver reminds us of the mystery and necessity of poetry, whose source is, ultimately, the Creator. Angela O'Donnell, America One of the astonishing aspects of Oliver s work is the consistency of tone over this long period [of her career]. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward. Stephen Dobyns, New York Times Book Review Mary Oliver s poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations. Stanley Kunitz Mary Oliver s poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight. May Swenson Like Henry David Thoreau of Transcendentalist fame she is a naturalist whose attention to what used to be called the Book of Nature borders on both devotion and experimentation. . . . Mindfulness seems to be Oliver s metier, looking and listening her scientific method and contemplative practice. Stephen Prothero, Search I should be clear that Mary Oliver is, to my mind, one of the most gifted American poets working in English today. In her hands, the language acquires a lucidity approaching translucence; the accuracy of her vision and the precision of her voice are unique in their refreshing simplicity. Perhaps most singular is the tendency of her poems to be at once powerful and appealing; an affection for the natural world and a sympathy toward the reader abide. Katherine Hollander, Pleiades This year the Top 5 [Indiebound poetry best sellers] can be summed up in six words: Mary Oliver, Mary Oliver, Mary Oliver. Oliver s impressive feat reflects both an enduring popularity and an unparalleled ability to touch readers on a deep, almost primal level. Elizabeth Lund, Christian Science Monitor Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing. Alicia Ostriker, The Nation One would have to reach back perhaps to [John] Clare or [Christopher] Smart to safely cite a parallel to Oliver s lyricism. David Barber, Poetry The music in Oliver s writing is unmistakable. Her poetry can be read as the best of the real lyrics we have these days, and it s no surprise that she s already won a Pulitzer Prize for it, as well as many other honors. Los Angeles Times

Author Information

A private person by nature, Mary Oliver (1935–2019) gave very few interviews over the years. Instead, she preferred to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published twenty books of poetry and six books of prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008).

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