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OverviewFull Product DetailsAuthor: Kamran Rastegar (Associate Professor of Arabic Literature and Culture, Associate Professor of Arabic Literature and Culture, Tufts University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.50cm , Height: 1.50cm , Length: 23.10cm Weight: 0.340kg ISBN: 9780199390175ISBN 10: 0199390177 Pages: 248 Publication Date: 14 May 2015 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"Introduction Chapter 1. Productive traumas: Cinema, social conflict, cultural memory Chapter 2. Colonialism, memory, masculinity: The Four Feathers and the redemption of empire Chapter 3. Freedom, then silence: Memory and the women of Egyptian and Tunisian independence Chapter 4. The time that is lost: Cinematic aporias of Palestine Chapter 5. Sacred defenses: Treacherous memory in post-war Iran Chapter 6. Wanting to see: Wartime witnessing and post-war haunting in Lebanese cinema Chapter 7. ""Sawwaru Waynkum"" Human rights and perpetrator traumas in Waltz with Bashir Conclusion. Multitudinous memory: Revolutions and post-cinematic cultural memory"Reviewsexpertly researched and well-elucidated ... A significant contribution to postcolonial scholarship, trauma studies, and cinema studies, Rastegaras book is likely to become a major text in the field. * R. B. Wise, CHOICE * expertly researched and well-elucidated ... A significant contribution to postcolonial scholarship, trauma studies, and cinema studies, Rastegaras book is likely to become a major text in the field. R. B. Wise, CHOICE """A significant contribution to postcolonial scholarship, trauma studies, and cinema studies, Rastegar's book is likely to become a major text in the field. Highly recommended."" --CHOICE ""While providing an expansive framework to read trauma production in twentieth-century cinema of the Middle East, Surviving Images looks to the future by pointing to the emergence of a new era of trauma production, one that will enchant us yet destabilize the very foundation of cinematic practices."" --Humanities and Social Sciences Online" Author InformationKamran Rastegar is Associate Professor of Arabic Literature and Culture at Tufts University. Tab Content 6Author Website:Countries AvailableAll regions |