|
![]() |
|||
|
||||
OverviewIn the thick of the Second World War, the Cairo-based Surrealist collective Art et Liberte were pioneering new art forms and mounting subversive exhibitions that sent shockwaves across local artistic circles. Born with the publication of their Manifesto Long Live Degenerate Art on December 22nd, 1938, the group rejected the convergence of art and nationalism, aligning themselves with a complex, international and evolving Surrealist movement spanning cities such as Paris, London, Mexico City, New York, Beirut and Tokyo. Art and Liberty created a distinct reworking of Surrealism, which provided a generation of disillusioned Egyptian and non-Egyptian artists and writers, men and women alike, with a platform for cultural reform and anti-Fascist protest. Surrealism in Egypt is the first comprehensive analysis of Art and Liberty's artworks, literature and critical writings on Surrealism. By addressing the group's long-lost and often misconstrued legacy, and drawing on a substantial body of previously unpublished primary documents and more than 200 field interviews, the author charts Art and Liberty's significant contribution towards a new definition of Surrealism.Moving beyond the polarizing dichotomies of Saidian Orientalism, this book rewrites the history of Surrealism itself - advocating for a new definition of the movement that reflects an inclusive vision of art history. Full Product DetailsAuthor: Sam Bardaouil (Author)Publisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Dimensions: Width: 18.90cm , Height: 2.50cm , Length: 24.60cm Weight: 1.274kg ISBN: 9781784536510ISBN 10: 1784536512 Pages: 352 Publication Date: 17 October 2016 Audience: General/trade , College/higher education , General , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntrofuction Section I War, Poverty and a Manifesto: In the Backdrop of Art and Liberty I. Chapter 1 In the Thick of War: The Impact of WWII on the Literary and Pictorial Imagery of the Art and Liberty Group (page 51) I. Chapter 2 Poverty is a Social Matter... And an Artistic One Too: The Art and Liberty Group and the Plight of the Working Class (page 115) I. Chapter 3 Fascism at Home: Towards a New Reading of Art and Liberty's Manifesto of December 22, 1938 (page 148) - - - Section II To the Rescue: Art and Liberty and the Reworking of Surrealism from Cairo II. Chapter 4 Surrealism at Work in Cairo: Art and Liberty's Subjective Realism, or When Surrealist Art Becomes Free Art (page 243) II. Chapter 5 Beyond Regionalist Modernisms: Art and Liberty and British Post-Surrealism (page 318) II. Chapter 6 From Theory to Action: The Exhibition Practices, Performances and Surrealist Events of the Art and Liberty Group By Way of Conclusion Art and Liberty: A Legacy Interrupted... A Legacy All the Same (Page 404) - - - Appendix 1 Plates of Artworks by the Art and Liberty Group (Dropbox) Appendix 2 Plates of Archival Materials and Primary Documents Related to the Art and Liberty Group (Dropbox) Appendix 3 Transcripts of Select Writings by and about the Art and Liberty GroupReviews'This is really a change of perspective that is absolutely helpful to understand more about Surrealism.' - Doris Krystof, curator at Kunstsammlung Nordrhein-Westfalen, Dusseldorf, the New York Times Ultimately, this book not only shines a bright light on a key moment in the development of surrealism in Egypt but also makes room for new comparative studies using Art and Liberty as one substantial reference point to better comprehend the complexities of surrealism as a transnational movement. -- Riad Kherdeen, University of California, Berkley * H-Net.org * Author InformationSam Bardaouil (Ph.D.) is an art historian and curator whose research focuses on the international expression of modernism. He has taught at universities such as the American University of Beirut and the Tisch School of the Arts, New York University, and published in academic journals such as Dada/Surrealism, Qantara, and the International Journal of Humanities. He is co-founder of Art Reoriented, a multidisciplinary curatorial platform based in Munich and New York. Among their many exhibitions, Art Reoriented curated the critically-acclaimed Lebanese Pavilion at the 55th Venice Biennale (2013), the groundbreaking, international exhibition Tea with Nefertiti (2012 - 2014) and Art et Liberte: Rupture, War and Surrealism in Egypt (1938 - 1948) at the Centre Pompidou in Paris, the Reina Sofia in Madrid, the Kunstsammlung 21 in Dusseldorf and the Tate Liverpool (2016 - 2018). Tab Content 6Author Website:Countries AvailableAll regions |