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OverviewFull Product DetailsAuthor: Jennifer Mundy , Dawn Ades , Vincent GillePublisher: Princeton University Press Imprint: Princeton University Press Edition: annotated edition Dimensions: Width: 24.10cm , Height: 3.10cm , Length: 27.30cm Weight: 2.126kg ISBN: 9780691090641ISBN 10: 0691090645 Pages: 352 Publication Date: 18 November 2001 Audience: College/higher education , College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Tertiary & Higher Education Format: Hardback Publisher's Status: Out of Print Availability: Awaiting stock ![]() Language: English Table of Contents"Foreword 7 Acknowledgments 8 Chapter One: LETTERS OF DESIRE by Jennifer Mundy 10 Chapter Two: THE OMNIPOTENCE OF DESIRE: SURREALISM, PSYCHOANALYSIS AND HYSTERIA by David Lomas 55 Chapter Three: ""PRIERE DE FROLER"": THE TOUCH IN SURREALISM by Julia Kelly 79 Chapter Four: ANAMORPHIC LOVE: THE SURREALIST POETRY OF DESIRE by Katharine Conley 101 Chapter Five: BOOKS OF LOVE--LOVE BOOKS by Vincent Gille 125 Chapter Six: LIVES AND LOVES by Vincent Gille 136 Chapter Seven: SURREALISM, MALE-FEMALE by Dawn Ades 171 Chapter Eight: VIOLATION AND VEILING IN SURREALIST PHOTOGRAPHY: WOMAN AS FETISH, AS SHATTERED OBJECT, AS PHALLUS by Hal Foster 203 Chapter Nine: HISTORY, PORNOGRAPHY AND THE SOCIAL BODY by Carolyn J. Dean 227 Chapter Ten: CRITIQUE OF PURE DESIRE, OR WHEN THE SURREALISTS WERE RIGHT by Neil Cox 245 Chapter Eleven: STAGING DESIRE by Alyce Mahon 277 Chapter Twelve: DESIRE--A SURREALIST ""INVENTION"" by Annie Le Brun 299 Notes 315 List of Exhibted Works 326 Index 340"ReviewsThe lavishly illustrated catalogue ... provides additional lenses through which to view the often hypnotic artworks and the affiliated groups of artists that produced them. Eleven essayists dissect desire in all its romantic, sexual, psychoanalytic, literary, and political manifestations. -- Robert Askins ArtNews [A] gripping album of Surrealist works in all media, from the movement's origins in interwar Europe to its legacy in contemporary art, with special attention to erotic content. Thematic essays offer as much historical sweep and critical penetration as any single book on the subject. -- Kenneth Baker San Francisco Chronicle This well-crafted book comprises a rich lode of 300 illustrations, many not published previously, and 12 essays (by as many contributors) devoted to the many aspects of surrealist desire. Since the notion of desire is central to surrealism, this volume is overdue and most welcome... A variety of presentations and explanations of events, artists works, and particular manifestations of surrealism provide useful background and detail, thus usefully complementing the annotated essays. Choice The theme of the exhibition is considerably enhanced and refined by its well orchestrated catalogue. -- Roger Cardinal Times Literary Supplement With qualifications, everything in the show possesses surreality--or convulsive beauty--providing we understand how to unlock it. The most helpful thing to understand is that aesthetics was never a central Surrealist preoccupation, so looking for an aesthetic experience here will not get you to first base. -- Arthur C. Danto The Nation The lavishly illustrated catalogue ... provides additional lenses through which to view the often hypnotic artworks and the affiliated groups of artists that produced them. Eleven essayists dissect desire in all its romantic, sexual, psychoanalytic, literary, and political manifestations. -- Robert Askins ArtNews [A] gripping album of Surrealist works in all media, from the movement's origins in interwar Europe to its legacy in contemporary art, with special attention to erotic content. Thematic essays offer as much historical sweep and critical penetration as any single book on the subject. -- Kenneth Baker San Francisco Chronicle This well-crafted book comprises a rich lode of 300 illustrations, many not published previously, and 12 essays (by as many contributors) devoted to the many aspects of surrealist desire. Since the notion of desire is central to surrealism, this volume is overdue and most welcome... A variety of presentations and explanations of events, artists works, and particular manifestations of surrealism provide useful background and detail, thus usefully complementing the annotated essays. Choice The theme of the exhibition is considerably enhanced and refined by its well orchestrated catalogue. -- Roger Cardinal Times Literary Supplement With qualifications, everything in the show possesses surreality--or convulsive beauty--providing we understand how to unlock it. The most helpful thing to understand is that aesthetics was never a central Surrealist preoccupation, so looking for an aesthetic experience here will not get you to first base. -- Arthur C. Danto The Nation The lavishly illustrated catalogue ... provides additional lenses through which to view the often hypnotic artworks and the affiliated groups of artists that produced them. Eleven essayists dissect desire in all its romantic, sexual, psychoanalytic, literary, and political manifestations. -- Robert Askins, ArtNews [A] gripping album of Surrealist works in all media, from the movement's origins in interwar Europe to its legacy in contemporary art, with special attention to erotic content. Thematic essays offer as much historical sweep and critical penetration as any single book on the subject. -- Kenneth Baker, San Francisco Chronicle This well-crafted book comprises a rich lode of 300 illustrations, many not published previously, and 12 essays (by as many contributors) devoted to the many aspects of surrealist desire. Since the notion of desire is central to surrealism, this volume is overdue and most welcome... A variety of presentations and explanations of events, artists works, and particular manifestations of surrealism provide useful background and detail, thus usefully complementing the annotated essays. -- Choice The theme of the exhibition is considerably enhanced and refined by its well orchestrated catalogue. -- Roger Cardinal, Times Literary Supplement With qualifications, everything in the show possesses surreality--or convulsive beauty--providing we understand how to unlock it. The most helpful thing to understand is that aesthetics was never a central Surrealist preoccupation, so looking for an aesthetic experience here will not get you to first base. -- Arthur C. Danto, The Nation Author InformationJennifer Mundy is a Curator at the Tate. Dawn Ades is Professor of Art History and Theory at the University of Essex. Vincent Gille works at the Pavillon des Arts, Paris. Tab Content 6Author Website:Countries AvailableAll regions |