Overview

Full Product Details

Author:   Natalya Lusty (University of Melbourne)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.80cm , Height: 2.70cm , Length: 23.40cm
Weight:   0.760kg
ISBN:  

9781108495684

ISBN 10:   1108495680
Pages:   350
Publication Date:   12 August 2021
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Part I. Origins Ideas/Concepts/Interventions: 1. The surrealist world Effie Rentzou; 2. Psychoanalysis Klem James; 3. Surrealism and the demand of politics Raymond Spiter; 4. Modern science Gavin Parkinson; 5. Surrealism and dreams Natalya Lusty; 6. Surrealism and Eros Alyce Mahon; Part II. Developments Practices/Cultures/Material Forms: 7. Surrealist collections in Paris and Sussex Katharine Conley; 8. Surrealist objects Christina Rudosky; 9. Collage Elza Adamowicz; 10. Film Kristoffer Noheden; 11. Photography in surrealism David Bate; 12. Surrealist fashion Ilya Parkins; 13. Surrealist display practices: repositories outside reason Adam Jolles; Part III. Applications Heterodoxies and New Worlds: 14. Surrealism and schizoanalysis Gregory Minissale; 15. The surrealist bestiary and animal philosophyWalter Kalaidjian; 16. Picasso's habits: André Breton on art, nature and reflexivity Joyce S. Cheng; 17. Surrealism and mass observation Tyrus Miller; 18. Pacific surrealism Paul Giles; 19. Decolonial surrealism Jonathan P. Eburne; 20. Surrealism and écriture feminine Anna Watz; 21. Subcultural receptions of surrealism in the 1960s international underground press Abigail Susik.

Reviews

'An excellent volume … Highly recommended.' J. E. Housefield, Choice

Author Information

Natalya Lusty is Professor of Cultural Studies at the University of Melbourne and an ARC Future Fellow. She is the author of Surrealism, Feminism, Psychoanalysis (2017), co-editor of Modernism and Masculinity (2014) and Photography and Ontology: Unsettling Images (2019), and on the editorial collective for the International Journal of Surrealism.

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