Surrealism and the Occult: Occultism and Western Esotericism in the Work and Movement of André Breton

Author:   Tessel Bauduin
Publisher:   Amsterdam University Press
Edition:   0
ISBN:  

9789089646361


Pages:   262
Publication Date:   29 August 2014
Format:   Hardback
Availability:   In Print   Availability explained
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Surrealism and the Occult: Occultism and Western Esotericism in the Work and Movement of André Breton


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Overview

This book offers a new perspective on a long-debated issue: the role of the occult in surrealism, in particular under the leadership of French writer André Breton. Based on thorough source analysis, this study details how our understanding of occultism and esotericism, as well as of their function in Bretonian surrealism, changed significantly over time from the early 1920s to the late 1950s.

Full Product Details

Author:   Tessel Bauduin
Publisher:   Amsterdam University Press
Imprint:   Amsterdam University Press
Edition:   0
Dimensions:   Width: 15.60cm , Height: 1.90cm , Length: 23.40cm
ISBN:  

9789089646361


ISBN 10:   9089646361
Pages:   262
Publication Date:   29 August 2014
Audience:   Professional and scholarly ,  Adult education ,  Professional & Vocational ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction [overview of the field. Analysis of other studies/works on this subject. Explanation of method. Definitions of occultism etc.] I. The time of slumbers [early 1920s. Spiritualism, mediumism, parapsychology. The ""Sleeping Sessions"". Breton: various essays] II. The period of reason [late 1920s. clairvoyance, seership. Rimbaudian alchemy. Breton: Nadja (1928)] III. The 'Golden Age' [the 1930s. The demand for ""the occultation"" (2nd Manifesto). Objective chance. Myth. Breton: Mad Love] IV. Intermezzo: Surrealism in arcanum: the war [1938-1945. SUR in the US. Christian heterodox throught. Myth and magic. Breton: Arcanum 17.] V. The international exposition of Surrealism, 1947 [1947ff. The exhibition as display of SUR's occultation. Most occult period in SUR. Breton: L'Art Magique (1957). Alchemy. Petering out of SUR.] Conclusion"

Reviews

This is easily the best analysis of the complex relationship between Surrealism and Western Esotericism. Based upon thorough research of primary sources, Bauduin shows how the occult became important to Andr� Breton's movement in spite of its secular foundations. -- Wouter J. Hanegraaff, Professor of History of Hermetic Philosophy and Related Currents, University of Amsterdam [-] An excellent analysis of the impact of esoteric currents on surrealism. Bauduin challenges many of the previous notions about Andr� Breton's intellectual and artistic debt to esotericism, and argues convincingly for the increased importance of esoteric practices to Breton and his circle. This book is destined to become a standard source for the relationship between occultism and art in general, and Bretonian surrealism in particular. -- Henrik Bogdan, co-editor of Occultism in a Global Perspective (2013) and associate professor Religious Studies, University of Gothenburg [-] Breton gebruikte het occultisme vooral - en met succes - om het surrealisme complex en ontoegankelijk te maken. Met kennis van zaken en door minutieus onderzoek in de primaire en secundaire bronnen draagt de auteur zo bij aan een wetenschappelijke benadering van de zo belangrijke wisselwerking tussen kunstenaars en esoterie, die opgevat kan worden als een van de onderstromen in de twintigste-eeuwse kunst. --Uit juryrapport van Vereniging van Nederlandse Kunsthistorici (VNK) bij de nominatie voor de Jan van Gelder Prijs in 2013


This is easily the best analysis of the complex relationship between Surrealism and Western Esotericism. Based upon thorough research of primary sources, Bauduin shows how the occult became important to Andr Breton's movement in spite of its secular foundations. -- Wouter J. Hanegraaff, Professor of History of Hermetic Philosophy and Related Currents, University of Amsterdam [-] An excellent analysis of the impact of esoteric currents on surrealism. Bauduin challenges many of the previous notions about Andr Breton's intellectual and artistic debt to esotericism, and argues convincingly for the increased importance of esoteric practices to Breton and his circle. This book is destined to become a standard source for the relationship between occultism and art in general, and Bretonian surrealism in particular. -- Henrik Bogdan, co-editor of Occultism in a Global Perspective (2013) and associate professor Religious Studies, University of Gothenburg [-] Breton gebruikte het occultisme vooral - en met succes - om het surrealisme complex en ontoegankelijk te maken. Met kennis van zaken en door minutieus onderzoek in de primaire en secundaire bronnen draagt de auteur zo bij aan een wetenschappelijke benadering van de zo belangrijke wisselwerking tussen kunstenaars en esoterie, die opgevat kan worden als een van de onderstromen in de twintigste-eeuwse kunst. --Uit juryrapport van Vereniging van Nederlandse Kunsthistorici (VNK) bij de nominatie voor de Jan van Gelder Prijs in 2013


Breton gebruikte het occultisme vooral - en met succes - om het surrealisme complex en ontoegankelijk te maken. Met kennis van zaken en door minutieus onderzoek in de primaire en secundaire bronnen draagt de auteur zo bij aan een wetenschappelijke benadering van de zo belangrijke wisselwerking tussen kunstenaars en esoterie, die opgevat kan worden als een van de onderstromen in de twintigste-eeuwse kunst. Uit juryrapport van Vereniging van Nederlandse Kunsthistorici (VNK) bij de nominatie voor de Jan van Gelder Prijs in 2013[-] This is easily the best analysis of the complex relationship between Surrealism and Western Esotericism. Based upon thorough research of primary sources, Bauduin shows how the occult became important to Andr Breton's movement in spite of its secular foundations. [-]Wouter J. Hanegraaff, Professor of History of Hermetic Philosophy and Related Currents, University of Amsterdam [-] An excellent analysis of the impact of esoteric currents on surrealism. Bauduin challenges many of the previous notions about Andr Breton's intellectual and artistic debt to esotericism, and argues convincingly for the increased importance of esoteric practices to Breton and his circle. This book is destined to become a standard source for the relationship between occultism and art in general, and Bretonian surrealism in particular. [-]Henrik Bogdan, co-editor of Occultism in a Global Perspective (2013) and associate professor Religious Studies, University of Gothenburg[-]


This is easily the best analysis of the complex relationship between Surrealism and Western Esotericism. Based upon thorough research of primary sources, Bauduin shows how the occult became important to Andr Breton's movement in spite of its secular foundations. -- Wouter J. Hanegraaff, Professor of History of Hermetic Philosophy and Related Currents, University of Amsterdam [-] An excellent analysis of the impact of esoteric currents on surrealism. Bauduin challenges many of the previous notions about Andr Breton's intellectual and artistic debt to esotericism, and argues convincingly for the increased importance of esoteric practices to Breton and his circle. This book is destined to become a standard source for the relationship between occultism and art in general, and Bretonian surrealism in particular. -- Henrik Bogdan, co-editor of Occultism in a Global Perspective (2013) and associate professor Religious Studies, University of Gothenburg [-] Breton gebruikte het occultisme vooral - en met succes - om het surrealisme complex en ontoegankelijk te maken. Met kennis van zaken en door minutieus onderzoek in de primaire en secundaire bronnen draagt de auteur zo bij aan een wetenschappelijke benadering van de zo belangrijke wisselwerking tussen kunstenaars en esoterie, die opgevat kan worden als een van de onderstromen in de twintigste-eeuwse kunst. --Uit juryrapport van Vereniging van Nederlandse Kunsthistorici (VNK) bij de nominatie voor de Jan van Gelder Prijs in 2013


Author Information

Dr Tessel M. Bauduin is a historian of art and culture. She holds a PhD in the Arts from the University of Amsterdam, and is currently affiliated with the Radboud University, Nijmegen, as a post-doctoral researcher. Her research interests include the historical avant-garde, especially Surrealism; Modernism and occulture; Modernist medievalism.

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