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OverviewFull Product DetailsAuthor: Michael RichardsonPublisher: Bloomsbury Publishing PLC Imprint: Berg Publishers Dimensions: Width: 15.60cm , Height: 1.60cm , Length: 23.40cm Weight: 0.473kg ISBN: 9781845202255ISBN 10: 1845202252 Pages: 208 Publication Date: 01 March 2006 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Surrealist film theory and practice 1. Surrealism and Popular Culture 2. Luis Buuel and the Snares of Desire 3. Jacques Prvert and the Poetry of the Eventual 4. Surrealism and Hollywood 5. Surrealism and the Documentary 6. Nelly Kaplan and Sexual Revenge 7. Walerian Borowczyk and the Touch of Desire 8. Jan vankmajer and the Life of Objects 9. Panique: A Ceremony Beyond the Absurd 10. The Baroque Heresy of Ral Ruiz 11. Surrealism and Contemporary CinemaReviews'I so enjoyed reading this book! Its arguments about surrealism and film are lucid and persuasive and presented with compelling clarity. I couldn't put it down.'Mary Ann Caws, author of Surrealism: themes and movements and Surrealist Painters and Poets: an anthology'There is nothing that would compel one to not recommend this intelligent and fiercely radical study of Surrealism and cinema, which ranges further in its scope, is more up-to-date, and is more thorough in its investigation than any other.'Manticore: Surrealist Communication'Richardson begins where most other commentators leave off.'Leonardo'This expansive study contributes to maintaining a notion of what surrealism within cinema might be without restricting it to a set of rules or conditions.'Screening the Past'At once a critical introduction and provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and the history of film.'Guistificativo, Bol 'I so enjoyed reading this book! Its arguments about surrealism and film are lucid and persuasive and presented with compelling clarity. I couldn't put it down.' Mary Ann Caws, author of Surrealism: themes and movements and Surrealist Painters and Poets: an anthology 'There is nothing that would compel one to not recommend this intelligent and fiercely radical study of Surrealism and cinema, which ranges further in its scope, is more up-to-date, and is more thorough in its investigation than any other.' Manticore: Surrealist Communication 'Richardson begins where most other commentators leave off.' Leonardo 'This expansive study contributes to maintaining a notion of what surrealism within cinema might be without restricting it to a set of rules or conditions.' Screening the Past 'At once a critical introduction and provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and the history of film.' Guistificativo, Bol Author InformationMichael Richardson has published widely on surrealism, having edited two volumes of surrealist stories, The Identity of Things and The Myth of the World, a collection of Georges Bataille's writings on surrealism, The Absence of Myth, and a collection of writings by Caribbean surrealist writers, Refusal of the Shadow. He is currently visiting professor at Waseda University, Tokyo. Tab Content 6Author Website:Countries AvailableAll regions |