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9781845202262

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I so enjoyed reading this book! Its arguments about surrealism and film are lucid and persuasive and presented with compelling clarity. I couldn't put it down. -- Mary Ann Caws, author of Surrealism: themes and movements and Surrealist Painters and Poets: an anthology There is nothing that would compel one to not recommend this intelligent and fiercely radical study of Surrealism and cinema, which ranges further in its scope, is more up-to-date, and is more thorough in its investigation than any other. * Manticore: Surrealist Communication * Richardson begins where most other commentators leave off. * Leonardo * This expansive study contributes to maintaining a notion of what surrealism within cinema might be without restricting it to a set of rules or conditions. * Screening the Past *

'I so enjoyed reading this book! Its arguments about surrealism and film are lucid and persuasive and presented with compelling clarity. I couldn't put it down.' Mary Ann Caws, author of Surrealism: themes and movements and Surrealist Painters and Poets: an anthology 'There is nothing that would compel one to not recommend this intelligent and fiercely radical study of Surrealism and cinema, which ranges further in its scope, is more up-to-date, and is more thorough in its investigation than any other.' Manticore: Surrealist Communication 'Richardson begins where most other commentators leave off.' Leonardo 'This expansive study contributes to maintaining a notion of what surrealism within cinema might be without restricting it to a set of rules or conditions.' Screening the Past

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Michael Richardson has published widely on surrealism, having edited two volumes of surrealist stories, The Identity of Things and The Myth of the World, a collection of Georges Bataille's writings on surrealism, The Absence of Myth, and a collection of writings by Caribbean surrealist writers, Refusal of the Shadow. He is currently visiting professor at Waseda University, Tokyo.

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