Overview

Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew examines the relationship between staged intimacy, intimacy direction, and those supporting the process during pre-production, rehearsal, and performance. First, this book addresses challenges and trends in staging intimacy, helping backstage and offstage theatre artists recognize the problematic approaches and culture that led to the emerging field of intimacy direction. This text will then provide tools and recommended practices for supporting the creation and maintaining of staged intimacy, enabling team members to enact contemporary protocols concerning advocacy and agency. Finally, this book will educate and empower readers with the necessary skills to prompt change; by providing modern techniques, essential workplace protocols, and achievable action items, this book will transform the way theatre designers, managers, crew, and other creative team members engage with theatrical consent. Supporting Staged Intimacy is written for every pre-professional and professional artist working behind the scenes who wish to better support consensual workplaces, physically intimate stories, and the individuals telling those stories.

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Tina M. Newhauser is a theatre professional with over thirty years' experience in theatre management, production, and design. She is Head of the BFA Stage Management program at Michigan State University and guest lecturer for intimacy directors and coordinators, coteaching workshops on notices and casting, and stage managing intimacy. Alexis Black is an assistant professor of acting and movement at Michigan State University, an AEA actor, a fight director and movement specialist for regional, international, and Broadway productions, and a certified intimacy director and guest lecturer with intimacy directors and coordinators. Emily Sutton-Smith is a professional actress and one of the cofounders of an Equity theater in central Michigan. Her stage credits include Out of Orbit; Doublewide; Summer Retreat; Too Much, Too Much, Too Many; Miracle on South Division Street; End Days; The Usual: A Musical Love Story; The Smell of the Kill; The Effect of Gamma Rays on Man-In-The-Moon Marigolds; Maidens, Mothers and Crones; and Additional Particulars. A New York City native, she has worked onstage at almost all the Equity theaters in Michigan, including the Williamston Theatre, the Purple Rose Theatre, Performance Network Theatre, Tipping Point Theatre, the Detroit Rep, the Jewish Ensemble Theatre, and MeadowBrook Theatre. Emily is a proud member of the Actors' Equity Association and SAG/AFTRA. Her film and TV credits include The Funeral Guest, Gifted Hands, Butterfly Effect: Revelation, The Prince of Motor City, and Nevermore. Emily studied acting at the Atlantic Theatre Company in New York City, and holds a Grande Diploma in Pastry Arts from the French Culinary Institute. She received her Master of Fine Arts degree from Michigan State University.

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