Overview
How can we dance here - so the aliveness of everything past and present can surface and shimmer? Paula Kramer's beautiful, evocative and touching 'contemplations' take us on a double journey that starts with Site (one in Helsinki, one in Berlin), moves to Practice and concludes in Performance. Based on a 3-year site-based research project (a post-doc at Uniarts Helsinki's Centre for Artistic Research) the book explores her embodied research into intermateriality. It addresses the question that guided her research: how does movement and choreography emerge in collaboration with site? More specifically: how do bodies, materials, sites, organisms, history, tuning, training, phenomena, events and the weather intermingle and speak, bringing forth what we later might call movement, dance or choreography? The two sites are Lanskari - the wildest and least populated of Helsinki's Suomenlinna islands - and Martin-Gropius-Bau on Berlin's Sudplatz, a neighbour of the Berlin Wall, of Berlin's House of Representatives and former home of the first Stasi, and of the former SS and Gestapo headquarters. The book explores narration, poetry and theory born out of specific experiences of moving-dancing, being, eating, choreographing, performing, in and with the two sites. The author speaks alongside others - experts in history, geology, performance - and invites us to see and experience sites, dance and movement differently.
Full Product Details
Publisher: Triarchy Press
Imprint: Triarchy Press
Dimensions:
Width: 17.20cm
, Height: 1.00cm
, Length: 16.00cm
ISBN: 9781913743246
ISBN 10: 1913743241
Pages: 168
Publication Date: 15 April 2021
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: In Print

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Author Information
Paula Kramer is an artist-researcher and movement artist based in Berlin. She completed her practice-as-research PhD in Dance at Coventry University, followed by three years as a post-doctoral researcher at the Centre for Artistic Research (CfAR) at Uniarts Helsinki. In her working practice she collaborates with materials and organisms of many different orders - as active agents in the making of movement, performance and choreography, and as partners in the creation of daily life and sense-making. She is a board member of the Journal of Dance and Somatic Practices and a founding member of AREAL Artistic Research Lab Berlin.