Overview
The highly admired scientist Linus Pauling, a double Nobel laureate in chemistry and peace, was once asked by a student. 'Dr Pauling, how do you have so many good ideas?' Pauling thought for a moment and replied: 'Well, David, I have a lot of ideas and throw away the bad ones.'Where do ideas come from? Why do some people have many more of them than others? How do you distinguish the good ideas from the bad? Most intriguing of all, perhaps, why do the best ideas sometimes strike in a flash of 'sudden genius'? These questions are the subject of this book. Andrew Robinson explores the exceptional creativity in both scientists and artists by following the trail that led ten individuals from childhood to the achievement of a famous creative breakthrough as an adult, in archaeology, architecture, art, biology, chemistry, cinema, music, literature, photography, and physics. Broken into three parts, the book begins with the scientific study of creativity, covering talent, genius, intelligence, memory, dreams, the unconscious, savant syndrome, synaesthesia, and mental illness. The second part tells the stories of five breakthroughs by scientists and five by artists, ranging from Curie's discovery of radium and Einstein's theory of special relativity to Mozart's composing of The Marriage of Figaro and Virginia Woolf's writing of Mrs Dalloway. Robinson concludes by considering what highly creative people who achieve breakthroughs have in common; whether breakthroughs in science and art follow patterns; and whether they always involve imaginative leaps and 'sudden genius'.
Full Product Details
Author: Andrew Robinson (Visiting Fellow of Wolfson College, Cambridge)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 16.30cm
, Height: 3.80cm
, Length: 23.60cm
Weight: 0.777kg
ISBN: 9780199569953
ISBN 10: 0199569959
Pages: 416
Publication Date: 16 September 2010
Audience:
General/trade
,
General
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
Robinson's ten subjects display his impressive intellectual range. Peter Forbes, The Independent On the whole, this book does serve a useful purpose: it highlights the fact that creative people are complex individuals who focus on theur work to the exclusion of all else. New Scientist Fascinating book...The book's real value lies in its masterly overview of various theories promulgated about the causes of genius. The Sunday Times Robinson's book ranges widely and well, and he proves himself adept at explaining complex concepts. The Sunday Times
In view of the ephemeral...nature of his subject, Robinson's calm and authority are exemplary. - History Today Robinson's ten subjects display his impressive intellectual range. - Peter Forbes, The Independent On the whole, this book does serve a useful purpose: it highlights the fact that creative people are complex individuals who focus on theur work to the exclusion of all else. - New Scientist Fascinating book...The book's real value lies in its masterly overview of various theories promulgated about the causes of genius. - The Sunday Times Robinson's book ranges widely and well, and he proves himself adept at explaining complex concepts. - The Sunday Times
Author Information
Andrew Robinson is the author of some twenty books covering both the arts and the sciences, which have been acclaimed by both national newspapers and specialist journals. They include five biographies of exceptionally creative individuals in a wide range of fields: the physicist Albert Einstein (A Hundred Years of Relativity, 2005), the film director Satyajit Ray (The Inner Eye. 1989), the writer Rabindranath Tagore (The Myriad-Minded Man, 1995), the archaeological decipherer Michael Ventris (The Man Who Deciphered Linear B, 2002), and the polymath Thomas Young (The Last Man Who Knew Everything, 2006). He is a King's Scholar of Eton College, and holds a degree in chemistry from Oxford University and a second degree from the School of Oriental and African Studies in London. For many years he worked in book publishing, television, and journalism, most recently as Literary Editor of The Times Higher Education Supplement from 1994-2006.
