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9781602355682

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Suasive Iterations pushes the definitions of writing in ways both theoretically and practically sophisticated. The connection to physical computing pushes this approach in a new and innovative direction, providing a platform for the field to think about the relationship between/among the physical, the virtual, and the rhetorical in writing studies. This work is poised to propel the field in ways that some will find quite uncomfortable, but it makes a very strong case for its argument. Suasive Iterations will likely be a key reading in digital rhetoric and computers and composition courses as well as for the broader range of audiences in the digital humanities and digital media arts. --Douglas Eyman, George Mason University

"""Suasive Iterations pushes the definitions of writing in ways both theoretically and practically sophisticated. The connection to physical computing pushes this approach in a new and innovative direction, providing a platform for the field to think about the relationship between/among the physical, the virtual, and the rhetorical in writing studies. This work is poised to propel the field in ways that some will find quite uncomfortable, but it makes a very strong case for its argument. Suasive Iterations will likely be a key reading in digital rhetoric and computers and composition courses as well as for the broader range of audiences in the digital humanities and digital media arts."" --Douglas Eyman, George Mason University"

<em>Suasive Iterations</em> pushes the definitions of writing in ways both theoretically and practically sophisticated. The connection to physical computing pushes this approach in a new and innovative direction, providing a platform for the field to think about the relationship between/among the physical, the virtual, and the rhetorical in writing studies. This work is poised to propel the field in ways that some will find quite uncomfortable, but it makes a very strong case for its argument. Suasive Iterations will likely be a key reading in digital rhetoric and computers and composition courses as well as for the broader range of audiences in the digital humanities and digital media arts. --Douglas Eyman, George Mason University </p>

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