Style and Form in the Hollywood Slasher Film

Author:   Wickham Clayton
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2015
ISBN:  

9781349573455


Pages:   254
Publication Date:   14 February 2018
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Style and Form in the Hollywood Slasher Film


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Author:   Wickham Clayton
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2015
Weight:   0.454kg
ISBN:  

9781349573455


ISBN 10:   1349573450
Pages:   254
Publication Date:   14 February 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'This collection deserves attention from anyone interested in the interrogation and enjoyment of the Hollywood Slasher film. Offering staunch, articulate, and passionate arguments for adopting formalist methodologies in the study and appreciation of the Hollywood Slasher genre, these essays make valuable contributions to existing horror film scholarship, extending the discussion beyond socio-ideological and theoretical perspectives.' Valerie Wee, National University of Singapore 'Style and Form in the Hollywood Slasher Film is a welcome addition to critical works on the genre. Wickham Clayton brings together a very focused set of essays exploring the aesthetics and formal structures of the slasher film. The contributors explore a wide range of slasher films, both the typical examples and the unexpected, pushing at the boundaries of the form. This collection will provide interest and raise challenging questions for readers of all levels, shedding new light on formalist approaches to the genre.' Brigid Cherry, Research Fellow in Screen Media, St Mary's University, Twickenham 'With exciting essays on the slasher subgenre from classic to revisionist films, this timely collection offers a rich vein of enquiry and superb range of scholarship on slasher stylistics. Style and Form in the Hollywood Slasher Film opens up the field of slasher studies for a new generation, challenging dominant theories and offering advanced and innovative perspectives.' Sorcha Ni Fhlainn, Lecturer in Film Studies and American Literature, Manchester Metropolitan University


'This collection deserves attention from anyone interested in the interrogation and enjoyment of the Hollywood Slasher film. Offering staunch, articulate, and passionate arguments for adopting formalist methodologies in the study and appreciation of the Hollywood Slasher genre, these essays make valuable contributions to existing horror film scholarship, extending the discussion beyond socio-ideological and theoretical perspectives.' Valerie Wee, National University of Singapore 'Style and Form in the Hollywood Slasher Film is a welcome addition to critical works on the genre. Wickham Clayton brings together a very focused set of essays exploring the aesthetics and formal structures of the slasher film. The contributors explore a wide range of slasher films, both the typical examples and the unexpected, pushing at the boundaries of the form. This collection will provide interest and raise challenging questions for readers of all levels, shedding new light on formalist approaches to the genre.' Brigid Cherry, Research Fellow in Screen Media, St Mary's University, Twickenham 'With exciting essays on the slasher subgenre from classic to revisionist films, this timely collection offers a rich vein of enquiry and superb range of scholarship on slasher stylistics. Style and Form in the Hollywood Slasher Film opens up the field of slasher studies for a new generation, challenging dominant theories and offering advanced and innovative perspectives.' Sorcha Ni Fhlainn, Lecturer in Film Studies and American Literature, Manchester Metropolitan University


'This collection deserves attention from anyone interested in the interrogation and enjoyment of the Hollywood Slasher film. Offering staunch, articulate, and passionate arguments for adopting formalist methodologies in the study and appreciation of the Hollywood Slasher genre, these essays make valuable contributions to existing horror film scholarship, extending the discussion beyond socio-ideological and theoretical perspectives.' Valerie Wee, National University of Singapore 'Style and Form in the Hollywood Slasher Film is a welcome addition to critical works on the genre. Wickham Clayton brings together a very focused set of essays exploring the aesthetics and formal structures of the slasher film. The contributors explore a wide range of slasher films, both the typical examples and the unexpected, pushing at the boundaries of the form. This collection will provide interest and raise challenging questions for readers of all levels, shedding new light on formalist approaches to the genre.' Brigid Cherry, Research Fellow in Screen Media, St Mary's University, Twickenham 'With exciting essays on the slasher subgenre from classic to revisionist films, this timely collection offers a rich vein of enquiry and superb range of scholarship on slasher stylistics. Style and Form in the Hollywood Slasher Film opens up the field of slasher studies for a new generation, challenging dominant theories and offering advanced and innovative perspectives.' Sorcha Ni Fhlainn, Lecturer in Film Studies and American Literature, Manchester Metropolitan University


Author Information

Stacey Abbott, University of Roehampton, UK Mark Richard Adams, Brunel University, UK Jessica Balanzategui, University of Melbourne, Australia Gary Bettinson, Lancaster University, UK Wickham Clayton, University for the Creative Arts, Farnham, UK Ian Conrich, University of South Australia Darren Elliott-Smith, University of Hertfordshire, UK Matthew Freeman, Birmingham City University, UK Andrew Patrick Nelson, Montana State University, USA Dana Och, University of Pittsburgh, USA Fran Pheasant-Kelly, University of Wolverhampton, UK David Roche, Université Toulouse Jean Jaurès, France Karra Shimabukuro, University of New Mexico, USA Janet Staiger, University of Texas at Austin, USA

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