Studies in English Organ Music

Author:   Iain Quinn
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138059139


Pages:   322
Publication Date:   18 June 2018
Format:   Hardback
Availability:   In Print   Availability explained
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Studies in English Organ Music


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Author:   Iain Quinn
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.611kg
ISBN:  

9781138059139


ISBN 10:   1138059137
Pages:   322
Publication Date:   18 June 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Part 1 Instruments 1. The English Organ – An Overview Nicholas Thistlethwaite Part 2 Liturgy 2. Changes in the Fortunes and Use of the Organ in Church, 1500 – 1800 John Harper 3. Organ Music and the Liturgy from 1800 Nicholas Thistlethwaite Part 3 Repertoire 4. English organ music, 1350-1550: a study of sources and contexts Magnus Williamson 5. Continuity, change and the emergence of idiomatic organ repertoire in seventeenth-century England David J. Smith 6. Composed and Improvised Voluntaries in the Eighteenth Century Peter Lynan 7. The Organ Concerto: Some considerations of evolution and context Peter Lynan 8. The Organ Music of Samuel Wesley and William Russell: Context, Content and Style John Kitchen 9. From Adams to Wesley: the transition from late Georgian to early Victorian organ music Peter Horton 10. Romanticism, pedagogy and the English organ - the discourse of concert and ecclesiastical repertoire: Best, Stainer, Stanford and Parry Jeremy Dibble 11. The British organ sonata and its context, 1895-1945 Andrew McCrea 12. British Organ Music in a secular age - a personal survey Peter Dickinson

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Author Information

Iain Quinn is Assistant Professor of Organ and Coordinator of Sacred Music at Florida State University. He holds degrees from the University of Hartford, Yale University and the University of Durham. He has been a Visiting Fellow at Harvard University, Visiting Composer in Chapel at Gonville and Caius College, Cambridge, a Fulbright Scholar, and a fellow of the Winston Churchill Memorial Trust. Scholarly writings have been published in Tempo, MLA Notes, Journal of Victorian Culture, Interpreting Historical Keyboard Music, and in editions of Samuel Barber (G. Schirmer), Carl Czerny and John Goss (A-R Editions). He is the author of The Organist in Victorian Literature (2017) and The Genesis and Development of an English Organ Sonata (2017, RMA Monograph Series) and has recorded thirteen CDs as a soloist or conductor on the Chandos, Hyperion, Naxos, Paulus, and Regent labels.

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