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OverviewFull Product DetailsAuthor: Eric DrottPublisher: Duke University Press Imprint: Duke University Press Weight: 0.572kg ISBN: 9781478020998ISBN 10: 1478020997 Pages: 360 Publication Date: 02 February 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments ix Introduction 1 1. Streaming Music 22 2. Streaming Capital 63 3. Music as a Technology of Surveillance 101 4. Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists 144 5. Streaming, Cheap Music, and the Crises of Social Reproduction 193 Epilogue 235 Notes 255 Bibliography 307 Index 331Reviews“Streaming Music, Streaming Capital is terrific. Synthesizing an impressive wealth of literature and materials, Eric Drott offers us an assured and learned guide to understanding recorded music in the present conjuncture and likely for years to come. As a study of the political and psychic economies of music streaming, it is unparalleled and will be a must-read for those who care about the subject.” -- Sumanth Gopinath, author of * The Ringtone Dialectic: Economy and Cultural Form * “Eric Drott offers a much-needed analysis of recorded music, online streaming, and their mutual mediation. With its incorporation into digital platforms, music’s oft-celebrated power to connect takes on new significance as it becomes, simultaneously, a lucrative asset, a service to rent, a means of data accumulation, and an extra-economic resource. Drott’s fascinating examination of this new music economy’s coherences and contradictions deserves to be widely read.” -- Marie Thompson, Senior Lecturer in Popular Music, The Open University “For those awaiting the definitive critical interrogation of the global music streaming economy, Eric Drott has provided a consummate account. Refusing the fallacy of music’s exceptionalism, in this skilled reading music portends many of the wider crises characterizing our world.” -- Georgina Born, Professor of Anthropology and Music, University College London “Streaming Music, Streaming Capital is terrific. Synthesizing an impressive wealth of literature and materials, Eric Drott offers us an assured and learned guide to understanding recorded music in the present conjuncture and likely for years to come. As a study of the political and psychic economies of music streaming, it is unparalleled and will be a must-read for those who care about the subject.” -- Sumanth Gopinath, author of * The Ringtone Dialectic: Economy and Cultural Form * Author InformationEric Drott is Associate Professor of Music Theory at the University of Texas at Austin and author of Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981. Tab Content 6Author Website:Countries AvailableAll regions |
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