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An excellent collection of essays, which makes an important contribution to the understanding of that perennially seminal focus for twentieth-century music studies, Igor Stravinsky. --John Rahn, editor of Perspectives on Musical Aesthetics --John Rahn

"""An excellent collection of essays, which makes an important contribution to the understanding of that perennially seminal focus for twentieth-century music studies, Igor Stravinsky.""—John Rahn, editor of Perspectives on Musical Aesthetics -- John Rahn"

An excellent collection of essays, which makes an important contribution to the understanding of that perennially seminal focus for twentieth-century music studies, Igor Stravinsky. --John Rahn, editor of Perspectives on Musical Aesthetics

""An excellent collection of essays, which makes an important contribution to the understanding of that perennially seminal focus for twentieth-century music studies, Igor Stravinsky.""—John Rahn, editor of Perspectives on Musical Aesthetics -- John Rahn

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The editors, Ethan Haimo and Paul Johnson, are professors of music at Notre Dame University. The remaining five contributors are professors of music at other distinguished institutions: Milton Babbit and Claudio Spies at Princeton University; Richard Taruskin at the University of California–Berkeley; Joseph Straus at CUNY Queens College; and William Austin at Cornell University.

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