Storytelling and Ethics: Literature, Visual Arts and the Power of Narrative

Author:   Hanna Meretoja (University of Turku, Finland) ,  Colin Davis (Royal Holloway, University of London, UK)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367667481


Pages:   314
Publication Date:   30 September 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Storytelling and Ethics: Literature, Visual Arts and the Power of Narrative


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Author:   Hanna Meretoja (University of Turku, Finland) ,  Colin Davis (Royal Holloway, University of London, UK)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367667481


ISBN 10:   0367667487
Pages:   314
Publication Date:   30 September 2020
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Chapter 1: Introduction: Intersections of Storytelling and Ethics Hanna Meretoja and Colin Davis Part I: The ethical potential and limits of narrative Chapter 2: Truth, Ethics, Fiction: Responding to Plato’s Challenge Colin Davis Chapter 3: Is there an Ethics to Story-Telling? Mieke Bal Chapter 4: Forms of Ordering: Trauma, Narrative and Ethics Robert Eaglestone Chapter 5: The Decline of Narrative and the Rise of the Archive Ernst van Alphen Chapter 6: The Story of the ""Anthropos"": Writing Humans and Other Primates in Contemporary Fiction Danielle Sands Chapter 7: From Appropriation to Dialogic Exploration: A Non-Subsumptive Model of Storytelling Hanna Meretoja Part II: Narrative temporalities: imagining an other life Chapter 8: Alexander Kluge’s ""Saturday in Utopia"": Making Time for Other Lives with German Critical Theory and Heliotropic Narration Leslie A. Adelson Chapter 9: Melancholy and the Narration of Transnational Trauma in W.G. Sebald and Teju Cole Kaisa Kaakinen Chapter 10: Memory as Imagination in Elina Hirvonen’s When I Forgot Riitta Jytilä Chapter 11: Popular Representation of East Germany: Whose History is it? Molly Andrews Chapter 12: Realities in the Making: The Ethics of Fabulation in Observational Documentary Cinema Ilona Hongisto Part III: Narrative engagements with violence and trauma Chapter 13: The Empathetic Listener and the Ethics of Storytelling Aleida Assmann Chapter 14: Theatre, Ethics and Restitution: What is Theatre Good For? Anna Reading Chapter 15: Towards an Intercultural Aesthetics: Shaping the Memory of Political Violence and Historical Trauma in Eija-Liisa Ahtila’s Artwork Where is Where? Mia Hannula Chapter 16: Reading Terror: Imagining Violent Acts through the Rational or Narrative Sublime Cassandra Falke Chapter 17: War & Storytelling After 9/11: A Photojournalist’s Perspective Louie Palu Part IV: Concluding reflections Chapter 18: Narrative in Dark Times Andreea Deciu Ritivoi"

Reviews

""Thinking of the empathetic listener as secondary witness (Assmann), the assemblage of restitution (Reading), the heterogeneous temporalities of the present (Kaakinen) and subsumptive vs. non-subsumptive storytelling (Meretoja) as well as many other tools for thought and analysis introduced and developed in this volume, it becomes clear that Storytelling and Ethics has indeed brought together new vocabularies for articulating how literary and other artistic narratives open new possibilities of thought and experiences."" - Anne Rüggemeier, Diegesis


Thinking of the empathetic listener as secondary witness (Assmann), the assemblage of restitution (Reading), the heterogeneous temporalities of the present (Kaakinen) and subsumptive vs. non-subsumptive storytelling (Meretoja) as well as many other tools for thought and analysis introduced and developed in this volume, it becomes clear that Storytelling and Ethics has indeed brought together new vocabularies for articulating how literary and other artistic narratives open new possibilities of thought and experiences. - Anne Ruggemeier, Diegesis


Author Information

Colin Davis is Professor of French at Royal Holloway, University of London, UK. Hanna Meretoja is Professor of Comparative Literature and Director of SELMA: Centre for the Study of Storytelling, Experientiality and Memory at the University of Turku, Finland.

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