Stock Characters in 9/11 Fiction: Homosociality and Nihilist Performance

Author:   Sandra Singer
Publisher:   Peter Lang Publishing Inc
Edition:   New edition
ISBN:  

9781433149405


Pages:   154
Publication Date:   29 May 2019
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Stock Characters in 9/11 Fiction: Homosociality and Nihilist Performance


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Overview

Stock Characters in 9/11 Fiction considers fictional work of the time subsequent to the attacks. The book develops and investigates models of stock characters in 9/11 fiction who promote the trauma meme within a narrative arc of tragedy; the conceptual evolution of trauma and media as thematic arcs is interpreted within specific 9/11 novels and in correspondence with other terrorist fiction. The almost exclusively male stock character protagonists include the male homosocial perpetrator and the tightrope walker. Among the more recent authors discussed are Amy Waldman and Thomas Pynchon, whose novels illustrate the way characters inhabit media models, rather than, as previously thought, using media for disseminating terrorist events and messaging. Other featured writers include Bernhard Schlink, Don DeLillo, Claire Messud, Ian McEwan, Joseph O’Neill, and Colum McCann. Stock Characters in 9/11 Fiction is a valuable text for scholars of 9/11 fiction, as well as for professors and university students studying contemporary literature.

Full Product Details

Author:   Sandra Singer
Publisher:   Peter Lang Publishing Inc
Imprint:   Peter Lang Publishing Inc
Edition:   New edition
Weight:   0.314kg
ISBN:  

9781433149405


ISBN 10:   1433149400
Pages:   154
Publication Date:   29 May 2019
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgments – Introduction – Homosocial Character Dynamics in Bernhard Schlink’s The Weekend – Revisiting the Image of the Falling Man in Novels, Television and Film – Self-subtraction from the System: The Sleeper Cell in Claire Messud’s The Emperor’s Children – Limitations of the Hyper-rationalist in Ian McEwan’s Saturday – Gambling and Postcolonial Games of Risk in Joseph O’Neill’s Netherland – From Modernism to Postmodernism: The Trauma Meme Transformed in Colum McCann’s Let the Great World Spin – Media Defining Terrorism in Friedrich Dürrenmatt’s The Assignment, Amy Waldman’s The Submission and Thomas Pynchon’s Bleeding Edge – Index.

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Author Information

Sandra Singer (PhD, Cambridge) is Associate Professor in the School of English and Theatre Studies, University of Guelph, Canada. Her previous publications include the co-edited collections Doris Lessing: Interrogating the Times and Doris Lessing’s The Golden Notebook After Fifty, as well as the edited J. J. Steinfeld: Essays on His Works.

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