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OverviewHow do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion. Full Product DetailsAuthor: Fernando Dominguez RubioPublisher: The University of Chicago Press Imprint: University of Chicago Press ISBN: 9780226713922ISBN 10: 022671392 Pages: 424 Publication Date: 19 August 2020 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsIntroduction Towards an Ecology of Modern Categories Part 1 Ecologies of Care Introduction Caring for the Same Chapter 1.1 The Modern Object of Care Chapter 1.2 The Elusive Object of Contemporary Art Chapter 1.3 The Modern Subject of Care Part 2 Ecologies of Containment Introduction The Aesthetics of Containment Chapter 2.1 Containing Eternity Chapter 2.2 Eternity on the Move Part 3 Ecologies of Imagination Introduction Into the White Chapter 3.1 The Interior Space of Art Chapter 3.2 Exhibitions as Material Acts of Imagination Part 4 Ecologies of the Digital Chapter 4.1. The Work of Art in the Age of Digital Fragility Conclusion The Cracks of the Modern Imagination Notes Bibliography IndexReviews"""The timely book by Fernando Domínguez Rubio [Still Life]. . . . in an original and exhaustive way. . . . Looking at the curatorial and conservation departments at MOMA (as well as its storage facilities) and combining approaches from material cultural studies, anthropology, and social studies of science and technology, presents what its author calls “an ecological vision” of modern art."" * Public Books *" The timely book by Fernando Dominguez Rubio [Still Life]. . . . in an original and exhaustive way. . . . Looking at the curatorial and conservation departments at MOMA (as well as its storage facilities) and combining approaches from material cultural studies, anthropology, and social studies of science and technology, presents what its author calls an ecological vision of modern art. * Public Books * Author InformationFernando Dominguez Rubio is assistant professor of communication at the University of California, San Diego. He is coeditor of The Politics of Knowledge. Tab Content 6Author Website:Countries AvailableAll regions |
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