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OverviewHailed as the greatest guitarist since Hendrix, virtuoso Stevie Ray Vaughan forged a distinctive style out of blues, rock and roll and R&B roots. A genuine guitar hero who crafted his attack in countless pass-the-hat jams in Austin bars and ended his career performing to sold-out stadiums full of awestruck devotees. This biography chronicles Vaughan's emergence from the hotbed of Texas blues, his bitter rivalry with his brother Jimmy, his constant battle with drugs and alcohol, his recovery from addiction and the impact of his helicopter crash accident on the music community. Full Product DetailsAuthor: Joe Nick Patoski , Bill CrawfordPublisher: Little, Brown & Company Imprint: Little, Brown & Company Edition: New edition Dimensions: Width: 14.20cm , Height: 2.20cm , Length: 21.00cm Weight: 0.315kg ISBN: 9780316160698ISBN 10: 0316160695 Pages: 320 Publication Date: 05 June 1994 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsThe brief life of the legendary Texas blues-guitarist, well told by Patoski (a senior editor at Texas Monthly) and writer/radio producer Crawford, both of whom live in Austin and saw dozens of Vaughan concerts. Raised around Dallas, Vaughan (1954-90) was a guitar prodigy whose greatest influence was his older brother Jimmie, also a guitarist. Whatever musical instrument Jimmie tried to play, Vaughan was sure to imitate him, and as his brother got better instruments, Stevie played Jimmie's electric hand-me-downs. At ten, Vaughan already was feeding on the legends of Howlin' Wolf, Muddy Waters, Johnny Ace, and Bobby Blue Bland. Determined to make a living off his guitar, he quit school and took his group to Austin, which was then a mirror of the hippie paradise in San Francisco. Even so, Vaughan was neck-deep in low self-esteem and forever hid behind his guitar, but as his powers became more widely known, his intensity as a musician only deepened: During one gig, after playing his finger callus off down to the quick, he borrowed some Superglue, glued the callus back on, and went on with the show. Vaughan played blues with all the giants, from Eric Clapton to Jeff Beck, but eventually drugs and booze numbed the soul out of his playing. At 32, glazed and whacked out, he went to a Georgia rehab, then - with a hand from fellow recoverer Clapton - made a fabulous comeback, remaining sober to his last breath. Just before his death in a helicopter crash, following a concert with Clapton and some fellow legends, he made a record with brother Jimmie, their first together. Released less than three weeks after Vaughan's death, Family Style instantly zapped the charts. Patoski and Crawford do an exceptionally strong job on Vaughan's final three years sober, his early fears, and his huge comeback. (Kirkus Reviews) Author InformationTab Content 6Author Website:Countries AvailableAll regions |
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