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OverviewFull Product DetailsAuthor: Dr. Meredith C. WardPublisher: University of California Press Imprint: University of California Press Volume: 1 Dimensions: Width: 15.20cm , Height: 2.30cm , Length: 22.90cm Weight: 0.363kg ISBN: 9780520299481ISBN 10: 0520299485 Pages: 256 Publication Date: 05 March 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsList of Illustrations Acknowledgments Introduction: Noise and the Concept of the Cinema Soundscape 1. Songs of the Sonic Body: Noise and the Sounds of Early Motion Picture Audiences 2. The Film Industry Lays the Golden Egg: Noise, Electro-Acoustics, and the Academy's Adjustment to Film Sound 3. Machines for Listening : Cinema Auditoriums as Vehicles for Aural Absorption 4. Cinema Theaters as Antiquated as Edison and His Wax Cylinders : Mobile Technologies and the Negotiation of Public Noise Conclusion: Noises We Will Be Hearing Soon Appendix Notes References IndexReviewsWard's book is one of the first in a generation to give us a new place to start when it comes to cinema sound - not by discarding the research of the past, but by resituating it in new conversations. * Journal of Sonic Studies * Author InformationMeredith C. Ward is Director of the Film and Media Studies Program at Johns Hopkins University. She is also affiliated faculty for the Center for Advanced Media Studies at Johns Hopkins. She is the author of articles on sound and media for Nineteenth Century Theatre and Film; Music, Sound, and the Moving Image; and the upcoming Oxford Handbook of Cinematic Listening and the recipient of the 2016 Dissertation Award for outstanding contribution to the field of media studies from the Society for Cinema and Media Studies (SCMS). Tab Content 6Author Website:Countries AvailableAll regions |