Stanislavsky in Focus: An Acting Master for the Twenty-First Century

Author:   Sharon Marie Carnicke
Publisher:   Taylor & Francis Ltd
Volume:   v.17.
ISBN:  

9789057550690


Pages:   256
Publication Date:   16 December 1998
Replaced By:   9780415774963
Format:   Hardback
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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Stanislavsky in Focus: An Acting Master for the Twenty-First Century


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Overview

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Full Product Details

Author:   Sharon Marie Carnicke
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Volume:   v.17.
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.522kg
ISBN:  

9789057550690


ISBN 10:   9057550695
Pages:   256
Publication Date:   16 December 1998
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Replaced By:   9780415774963
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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Reviews

One has to hope that this is the first in a series of books Carnicke will give us to clarify and enrich our understanding of the major movement in modern acting. Highly recommended for actors and directors. - Dramatics, September 2003 Carnicke's book has grown in influence with the passage of time. It is praised in the recent eighth edition of Robert Benedetti's The Actor at Work. Ed Hooks, author of Acting Strategies for the Cyber Age and The Ultimate Scene and Monologue Sourcebook, says Carnicke's book is a must read for actors because she skillfully draws the line between acting theory as practiced by Constantin Stanislavsky, and 'method' as practiced by Lee Strasberg of the Actor's Studio. I learned of Focus from a colleague, Sarah Dixon, an excellent acting teacher who treats Carnicke's insights into Stanislavsky with the devout worship one normally sees in responses to religious works. With such support, Stanislavsky in Focus is on its way to becoming a classic for serious actors. - Dramatics, September 2003 [Carnicke's] expertise is evident in the glossary, which gives clear and specific definitions of key Stanislavsky terms that many acting books treat with an unfortunate lack of precision. The result is an authoritative and meticulously researched book that deserves a primary place on the bookshelves of all theatre artists. - Dramatics, September 2003 [ Stanislavsky in Focus] is must-read for actors, a keeper for the bookshelf. In it, Ms. Carnicke skillfully draws the line between acting theory as practiced by Constantin Stanislavsky, and method as practiced by Lee Strasberg of the Actor's Studio.. - Newsletter and Articles by Ed Hooks Carnike provides the best available overview of Stanislavsky's work...She knows more about Stanislavsky, his development as a teacher, and the evolution of his theories than any other theatre professional living today. She has made the man her life's work. -Ed Hooks, Acting Strategies for the Cyper Age


One has to hope that this is the first in a series of books Carnicke will give us to clarify and enrich our understanding of the major movement in modern acting. Highly recommended for actors and directors. <br>- Dramatics, September 2003 <br> Carnicke's book has grown in influence with the passage of time. It is praised in the recent eighth edition of Robert Benedetti's The Actor at Work. Ed Hooks, author of Acting Strategies for the Cyber Age and The Ultimate Scene and Monologue Sourcebook, says Carnicke's book is a must read for actors because she skillfully draws the line between acting theory as practiced by Constantin Stanislavsky, and 'method' as practiced by Lee Strasberg of the Actor's Studio. I learned of Focus from a colleague, Sarah Dixon, an excellent acting teacher who treats Carnicke's insights into Stanislavsky with the devout worship one normally sees in responses to religious works. With such support, Stanislavsky in Focus is on its way to becoming a classic for serious actors. <br>- Dramatics, September 2003 <br> [Carnicke's] expertise is evident in the glossary, which gives clear and specific definitions of key Stanislavsky terms that many acting books treat with an unfortunate lack of precision. The result is an authoritative and meticulously researched book that deserves a primary place on the bookshelves of all theatre artists. <br>- Dramatics, September 2003 <br> [ Stanislavsky in Focus] is must-read for actors, a keeper for the bookshelf. In it, Ms. Carnicke skillfully draws the line between acting theory as practiced by Constantin Stanislavsky, and method as practiced by Lee Strasberg of the Actor's Studio.. <br>- Newsletter and Articles by Ed Hooks<br> Carnike provides the best available overview of Stanislavsky's work...She knows more about Stanislavsky, his development as a teacher, and the evolution of his theories than any other theatre professional living today. She has made the man her life's work. <br>-Ed Hooks, Acting Strategies for the Cyper Age <br>


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