Stanislavsky and Yoga
Author:   Sergei Tcherkasski ,  Vreneli Farber
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138954083


Pages:   126
Publication Date:   20 May 2016
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Stanislavsky and Yoga


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Full Product Details

Author:   Sergei Tcherkasski ,  Vreneli Farber
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.338kg
ISBN:  

9781138954083


ISBN 10:   113895408
Pages:   126
Publication Date:   20 May 2016
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

introduction chapter i yoga in the theatre practice of stanislavsky Stanislavsky’s Acquaintance with Yoga Yoga in the First Studio of the Moscow Art Theatre Yoga in Stanislavsky’s Classes with Actors of the Moscow Art Theatre and the Second Studio in the late 1910s and the 1920s Yoga in the Opera Studio Yoga and the Late Period of Stanislavsky’s Work (1930s) chapter ii yoga in the literary heritage of stanislavsky Yoga of the Twentieth Century and its Ancient Roots A Comparative Reading of Stanislavsky and Ramacharaka chapter iii yoga elements of the stanislavsky system Relaxation of Muscles (Muscular Release) Communication and Prana Attention Visualizations (Mental Images) Superconscious ‘I am’ Conclusion

Reviews

The final chapter explores the broader correspondences and divergences between the System and core elements of yoga. In this careful study, Tcherkasski makes a strong case for the continuity, rather than the oft-cited break, between old and new Stanislavsky, and illuminates the significance of yoga to modern actor training in and beyond Stanislavsky’s works. Coleman Nye, The Drama Review, Volume 62, Number 3, Fall 2018


The final chapter explores the broader correspondences and divergences between the System and core elements of yoga. In this careful study, Tcherkasski makes a strong case for the continuity, rather than the oft-cited break, between old and new Stanislavsky, and illuminates the significance of yoga to modern actor training in and beyond Stanislavsky's works. Coleman Nye, The Drama Review, Volume 62, Number 3, Fall 2018


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Sergei Tcherkasski, Vreneli Farber

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