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OverviewAt present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular, immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances, respectively, focuses on various strategies for mobilising the audience, methodological questions for research on being a spectator in immersive and participatory forms of theatre, and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy. Full Product DetailsAuthor: Doris Kolesch , Theresa Schütz , Sophie NikoleitPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780367187965ISBN 10: 0367187965 Pages: 222 Publication Date: 20 May 2019 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of figures List of tables List of contributors Acknowledgements Funding note Immersion and Spectatorship at the Interface of Theatre, Media Tech and Daily Life: An Introduction Doris Kolesch Part I: Mobile Audiences Unexpected Encounter. On Installation Art as Immersive Space Barbara Gronau Doggies, Masters and the End of the European Union. On Immersive Theatre Installations by SIGNA and Thomas Bellinck Benjamin Wihstutz On the Impossibility of Being Together A conversation between performance artist Signa Köstler and Theresa Schütz Bordering and Shattering the Stage: Mobile Audiences as Compositional Forces Liesbeth Groot Nibbelink Structures of Spectatorship Kerstin Schankweiler Part II: Researching Spectatorship Keep it real A conversation between performance artist Julian Hetzel and Theresa Schütz Participatory Audiencing and the Committed Return Matthew Reason Immersive Art – Immersive Research? Stefanie Husel Parsing ‘Commitment’: The Multiple Valences of Spectatorship Janelle Reinelt The Case for Empirical Audience Research Antje Kahl Part III: Questions of Power – Politics of Affect in Immersive Performances Feminism, Audience Interaction, and Performer Authority Jen Harvie The Promise of Participation Revisited: Affective Strategies of Participation Gareth White Capturing complexity while being pressed for time A conversation between scenographer Mona el Gammal and Theresa Schütz Immersive Guilt Factories Theresa Schütz Dark Immersion. Some thoughts on SIGNA’s Wir Hunde/Us Dogs Rainer MühlhoffReviewsAuthor Information"Doris Kolesch is Professor of Theatre and Performance Studies and a co-director of the Deutsche Forschungsgemeinschaft (DFG)-funded Collaborative Research Center (CRC) ""Affective Societies"" at Freie Universität Berlin, Germany. Theresa Schütz is a theatre scholar and research assistant working in the CRC ""Affective Societies"" at Freie Universität Berlin, Germany. Sophie Nikoleit is a theatre scholar and research assistant working in the CRC ""Affective Societies"" at Freie Universität Berlin, Germany." Tab Content 6Author Website:Countries AvailableAll regions |