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9780819578808

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This book is at once a fine biography of capoeira in its kinesthetic specificities and a necessary examination of the narratives that sustain the invention of a modern Brazil. Richly illustrated and drawing from a vast array of sources, both in English and Portuguese, it is a valuable addition to a growing body of work that challenges us to see beyond staged and authentic, loss and retention dichotomies. The subject is fascinating, the research is impeccable, and Hoefling writes elegantly and accessibly.--Bianca Freire-Medeiros, author of Touring Poverty Staging Brazil represents an important contribution to dance studies, martial arts studies, and Brazilian history. Hoefling bridges a major gap in studies of capoeira by investigating capoeira's history in addition to its embodied experience. Rejecting false binaries of tradition versus innovation and Brazilian versus African, Hoefling emphasizes choreographic authorship not as a sign of decline but as fundamental to capoeira. Meticulously researched and clearly articulated, Staging Brazil nuances understandings of capoeira by treating modernity and choreographic authorship as central to its practice.--Janet O'Shea, Risk, Failure, Play: What Dance Reveals about Martial Arts Training As elaborate and beautiful as capoeira itself! Drawing on interviews, manuals, sketches, photographs, and embodied knowledge, and highlighting the authorship of often overlooked actors, Staging Brazil demonstrates that capoeira elides and eludes the binaries purity/mixture, tradition/modernity, authentic/staged, angola/regional, and black/white.--Patricia de Santana Pinho, Mapping Diaspora: African American Roots Tourism in Brazil

Staging Brazil represents an important contribution to dance studies, martial arts studies, and Brazilian history. H fling bridges a major gap in studies of capoeira by investigating capoeira's history in addition to its embodied experience. Rejecting false binaries of tradition versus innovation and Brazilian versus African, H fling emphasizes choreographic authorship not as a sign of decline but as fundamental to capoeira. Meticulously researched and clearly articulated, Staging Brazil nuances understandings of capoeira by treating modernity and choreographic authorship as central to its practice.--Janet O'Shea, author of Risk, Failure, Play: What Dance Reveals about Martial Arts Training As elaborate and beautiful as capoeira itself! Drawing on interviews, manuals, sketches, photographs, and embodied knowledge, and highlighting the authorship of often overlooked actors, Staging Brazil demonstrates that capoeira elides and eludes the binaries purity/mixture, tradition/modernity, authentic/staged, angola/regional, and black/white. --Patricia de Santana Pinho, author of Mapping Diaspora: African American Roots Tourism in Brazil This book is at once a fine biography of capoeira in its kinesthetic specificities and a necessary examination of the narratives that sustain the invention of a modern Brazil. Richly illustrated and drawing from a vast array of sources, both in English and Portuguese, it is a valuable addition to a growing body of work that challenges us to see beyond staged and authentic, loss and retention dichotomies. The subject is fascinating, the research is impeccable, and H fling writes elegantly and accessibly. --Bianca Freire-Medeiros, author of Touring Poverty --Bianca Freire-Medeiros, author of Touring Poverty

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ANA PAULA HÖFLING is an assistant professor of dance at the University of North Carolina at Greensboro. She splits her time between North Carolina and Brazil.

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