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OverviewThis is the first full-length study to focus on Samuel Beckett’s drama as it has been staged in Ireland and Northern Ireland. While Beckett’s relationship with his native land was a complex one, the importance of his drama as a creative force both historically and in contemporary practice in those regions cannot be underestimated. The volume brings to light unexamined and little-known productions, for example Beckett’s drama in the Irish language, Druid Theatre Company’s productions, and Beckett at Dublin’s Focus Theatre, as well as previously unpublished archival materials. Leading scholars, such as Anna McMullan and Anthony Roche, and renowned dramatic interpreters of Beckett’s work, such as Barry McGovern, explore Beckett’s drama within the context of Irish creative theatrical practice and heritage, and point towards the theatrical and performance legacies that follow in its wake. Production analyses are mapped on to the political, economic and cultural contexts of Ireland and the North so that readers are invited to experience Beckett’s drama as resonating in new ways, through theatre practice, against the complex and connected histories of these lands. Full Product DetailsAuthor: Dr David Tucker (Goldsmiths, University of London, UK) , Trish McTighe (Queen's University Belfast, UK)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama Weight: 0.370kg ISBN: 9781474240543ISBN 10: 1474240542 Pages: 288 Publication Date: 19 October 2017 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements Information on Contributors Foreword, Christopher Murray Introduction, Trish McTighe and David Tucker Section 1: Theatre and Performance Histories 1. Beckett at the Abbey, by Anthony Roche 2. Beckett out of Focus: Happy Days and Waiting for Godot at Dublin’s Focus Theatre, by Siobhan O’Gorman 3. Reflections on a History of Creating Beckett’s Drama in Ireland, by Barry McGovern 4. Beckett in Belfast, by David Grant 5. Voicing Landscapes in Druid’s Productions, by Trish McTighe 6. The Gate Theatre’s Beckett Festivals: Tensions between the Local and the Global, by David Clare Section 2: Cultural Contexts 7. Waiting for Godot and the Mediation of Indigence in the Irish performance Tradition, by Paul Murphy 8. Staging Beckett in Ireland: Scenographic Remains, by Anna McMullan 9. In Bantu or in Erse: Beckett and Irish Translation, by Feargal Whelan Section 3: Expanding the Frame 10. The Culturally Inscribed Body and Spaces of Performance in Samuel Beckett’s Drama, by Sarah Jane Scaife 11. Beckett and Non-Place in Irish Performance, by Brian Singleton 12. ”The Neatness of Identifications”: Transgressing Beckett’s Genres in Ireland and the United Kingdom, 2000-2015, by Nicolas Johnson Endnotes Bibliography IndexReviewsSucceeds both as an overview of Irish productions of Beckett and as a critical history of how Beckett’s fragmented Irish elements have grown into a fully-fledged Irish Beckett. * Breac Reviews * Succeeds both as an overview of Irish productions of Beckett and as a critical history of how Beckett's fragmented Irish elements have grown into a fully-fledged Irish Beckett. * Breac Reviews * Author InformationTrish McTighe is currently a Postdoctoral Research Assistant at the University of Reading, UK and a visiting scholar at Fordham University, New York. Her book, The Haptic Aesthetic in Samuel Beckett’s Drama, was published in 2013 and she has published in several international journals on aesthetics, corporeality and technology in performance. David Tucker is Postdoctoral Researcher at the University of Chester and Associate Fellow at St Peter’s College, Oxford. He has published the books A Dream and its Legacies: The Samuel Beckett Theatre Project, Oxford c.1967-1976 (2013), Samuel Beckett and Arnold Geulincx: Tracing ‘a literary fantasia’ (2012) and the edited British Social Realism in the Arts since 1940 (2011). He co-edited Samuel Beckett Today/Aujourd’hui, Vol. 26: ‘Revisiting Molloy, Malone muert/Malone Dies and L’Innommable/The Unnamable’ (2014) with Mark Nixon and Dirk Van Hulle, and he is co-editor of The Year’s Work in Critical and Cultural Theory. Tab Content 6Author Website:Countries AvailableAll regions |
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