Overview

Ireland, north and south of the border, has witnessed volatile patterns of immigration in the past decade, and stage representations of these fluctuations have begun to emerge. In the Republic, immigration has coincided with, and it has been encouraged by the economic boom known as Celtic Tiger. In the North, the peace process and the easing off of the political tension has contributed to making the region more appealing and hospitable for newcomers. The media have played a significant role in this respect as they have helped re-launch the local tourist industry on the international scene, and consequently to attract both short- and long-term visitors. That Ireland has become the land of opportunities for thousands of people is a phenomenon which scholars from different academic backgrounds have been trying to explain given that mass immigration has had, and continues to have, a big impact on the local economy, social welfare and culture. This volume is dedicated to this final aspect. It investigates how migration has shaped and is reflected in Irish culture today; more specifically, it focuses on the representation of outsiders in Irish theatre and to the way in which theatre practitioners have dealt and engaged with debates of national and cultural identities, hybridity, multiculturalism and racism in post-nationalist Ireland up to 2008 – that is prior to the economic crisis that has swept the whole continent of Europe and the US over the past two years. Although multiculturalism has become an almost jaded theme in academia, much of the material presented here is fresh, original and highly relevant. Some plays are relatively unknown, and many of the texts remain unpublished. They have been staged on a small number of occasions, yet the topics they explore are central, not just to Irish society, but to any community in a global context that hosts immigrants.

Full Product Details

9781443823821

Table of Contents

Reviews

In seven chapters and a critical introduction Loredana Salis has given an interesting and updated contribution to a better knowledge of a changing theatre in a country which is trying to reinvent itself by coming to terms with the loss of continuity with a tradition never before so seriously jeopardized by the experience of immigration. Most of the plays discussed are relatively unknown and some of them not even published. The author has collected a great deal of information through visits to the theatres, interviews with key stakeholders and authors, unpublished direction notes and scripts. - Giuseppe Serpillo, 'Studi Irlandesi. a Journal of Irish Studies', 2 (2012), 489-492. Loredana Salis' volume investigates how Irish artists and playwrights have reacted to the changing 'face' of Irish society, both North and South, as precipitated by the in-migration of large numbers of (primarily) economic migrants during the past decade. Their arrival has generated a new cultural impetus and energy in Ireland and has served to reinvigorate a well-established theatrical tradition which often saw the re-working of canonical texts as drawn from both the 'ancient worlds' of Greece and Rome and the richness and diversity characteristic of native Irish narrative traditions. This volume also explores how new and emerging Irish playwrights have engaged with the questions of racism, identity and the legacy of the stereotype tradition as directed towards the Irish and those who were/are deemed quintessential 'outsiders' or 'strangers.' Dr Salis convincingly demonstrates that Ireland was always a multicultural and diverse entity, a country which absorbed 'outsiders' as quickly as it cast off many of its own. -Micheal O hAodha, University of Limerick

''In seven chapters and a critical introduction Loredana Salis has given an interesting and updated contribution to a better knowledge of a changing theatre in a country which is trying to reinvent itself by coming to terms with the loss of continuity with a tradition never before so seriously jeopardized by the experience of immigration. Most of the plays discussed are relatively unknown and some of them not even published. The author has collected a great deal of information through visits to the theatres, interviews with key stakeholders and authors, unpublished direction notes and scripts.''- Giuseppe Serpillo, 'Studi Irlandesi. a Journal of Irish Studies', 2 (2012), 489-492. Loredana Salis' volume investigates how Irish artists and playwrights have reacted to the changing 'face' of Irish society, both North and South, as precipitated by the in-migration of large numbers of (primarily) economic migrants during the past decade. Their arrival has generated a new cultural impetus and energy in Ireland and has served to reinvigorate a well-established theatrical tradition which often saw the re-working of canonical texts as drawn from both the 'ancient worlds' of Greece and Rome and the richness and diversity characteristic of native Irish narrative traditions. This volume also explores how new and emerging Irish playwrights have engaged with the questions of racism, identity and the legacy of the stereotype tradition as directed towards the Irish and those who were/are deemed quintessential 'outsiders' or 'strangers.' Dr Salis convincingly demonstrates that Ireland was always a multicultural and diverse entity, a country which absorbed 'outsiders' as quickly as it cast off many of its own. -Micheal O hAodha, University of Limerick

Author Information

Loredana Salis is a former graduate from the University of Ulster, where she obtained an MA in Irish Literature in English (2001) and a PhD in Comparative Literatures with a thesis on the reworking of classical theatre in contemporary Irish drama (2005). Between 2006 and 2008 she began a co-financed research project between the Arts Faculty, Università di Sassari (Italy) and the Academy for Irish Cultural Heritages at the University of Ulster, Derry. While in Northern Ireland she worked as Research Associate in literary heritages and conducted research into the migrant communities of Ireland and their representations on the Irish stage, part of which has formed the basis for the present volume. She has also researched and published articles on the Irish Travellers, the Polish and Lithuanian communities in Northern Ireland, the Antigone myth in Italy, and patterns of pilgrimage in Ireland between tradition and globalisation. She moved back to Italy in 2008 where she began teaching English language. In 2009 she published Miti antichi, storie d'oggi (Pellegrini Editore) based on her doctoral research. She is now a part-time lecturer at the Università di Sassari.

Tab Content 6

Countries Available