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Author:   Annalisa Castaldo ,  Rhonda Knight ,  Jim Casey ,  Sarah Enloe
Publisher:   Fairleigh Dickinson University Press
Imprint:   Fairleigh Dickinson University Press
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 21.90cm
Weight:   0.313kg
ISBN:  

9781683931515

ISBN 10:   1683931513
Pages:   176
Publication Date:   04 March 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Acknowledgments Preface: An Introduction and Primer to the American Shakespeare Center by Sarah Enloe Introduction by Annalisa Castaldo and Rhonda Knight Chapter 1: Whose Experiment is it Anyway?: Some Models for Practice-as-Research in Shakespeare Studies by Stephen Purcell Chapter 2: Shakespeare’s Spirits: Staging the Supernatural on the Early Modern Stage by Jim Casey Chapter 3: Staging Epilepsy in Othello by Sid Ray Chapter 4: ’Sore hurt and bruised’: Visual Damage in Othello” by Catherine Loomis Chapter 5: ’Heave Up!’: The ‘Wicked Weight’ of Shakespeare’s Antony and York’s Christ” by R. W. Jones Chapter 6: Hiding in Plain Sight: Eavesdropping and the Physicality of the Stage by Annalisa Castaldo and Rhonda Knight Chapter 6: The ‘Dead Body Problem’: The Dramaturgy of Coffins on the Renaissance Stage by Sarah Neville Chapter 7: ’Cushion come forth’: Materializing Pregnancy on the Stuart Stage” by Sara B. T. Thiel Chapter 8: Maternal Revision in Middleton’s More Dissemblers Besides Women by Amanda Zoch Afterword: The Actors Speak About the Contributors Index

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Annalisa Castaldo is associate professor of English at Widener University. Rhonda Knight is professor of English at Coker College.

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