Overview

A book that verifies the existence of secret underground chambers beneath the Sphinx and demonstrates its origins as the Egyptian god of the dead, Anubis • Includes an anthology of eyewitness accounts from early travelers who explored the secret chambers before they were sealed in 1926 • Reveals that the Sphinx was originally carved as a monumental crouching Anubis, the Egyptian jackal god of the necropolis Shrouded in mystery for centuries, the Sphinx of Giza has frustrated many who have attempted to discover its original purpose. Accounts exist of the Sphinx as an oracle, as a king’s burial chamber, and as a temple for initiation into the Hermetic Mysteries. Egyptologists have argued for decades about whether there are secret chambers underneath the Sphinx, why the head-to-body ratio is out of proportion, and whose face adorns it. In The Sphinx Mystery, Robert Temple addresses the many mysteries of the Sphinx. He presents eyewitness accounts, published over a period of 281 years, of people who saw the secret chambers and even went inside them before they were sealed in 1926--accounts that had been forgotten until the author rediscovered them. He also describes his own exploration of a tunnel at the rear of the Sphinx, perhaps used for obtaining sacred divinatory dreams. Robert Temple reveals that the Sphinx was originally a monumental Anubis, the Egyptian jackal god, and that its face is that of a Middle Kingdom Pharaoh, Amenemhet II, which was a later re-carving. In addition, he provides photographic evidence of ancient sluice gate traces to demonstrate that, during the Old Kingdom, the Sphinx as Anubis sat surrounded by a moat filled with water--called Jackal Lake in the ancient Pyramid Texts--where religious ceremonies were held. He also provides evidence that the exact size and position of the Sphinx were geometrically determined in relation to the pyramids of Cheops and Chephren and that it was part of a pharaonic resurrection cult.

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9781594772719

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Reviews

What makes Temple so exciting, quite apart from the stupendous depth of his research, is his refusal to take on board any received wisdom. His attitude towards received wisdom and 'consensual reality', bringing into his sights declining standards of scholarship in the Google Age and the 'restorative' work done on the Sphinx, is blatantly critical: 'One of the greatest myths of humanity is that everyone cares about the truth. Many people do not . . . --Jerry Glover, Fortean Times 250 , May 2009

More than the unraveling of a mystery story, this book is a close-up look at the vanishing art of historical research and how academic infighting, politics, reckless restoration, and economic concerns affect such work. Temple makes an excellent case for the restoration of rigorous scholarly standards and the teaching of research techniques that go beyond electronic searches.

Author Information

Robert Temple is visiting professor of the history and philosophy of science at Tsinghua University in Beijing, a fellow of the Royal Astronomical Society, and member of the Egypt Exploration Society, Royal Historical Society, Institute of Classical Studies, and the Society for the Promotion of Hellenic Studies. He is the author of 12 books, including The Sirius Mystery, Oracles of the Dead, and The Genius of China. He and his wife, Olivia, also translated Aesop: The Complete Fables. They live in England.

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